3 Chords & the Truth: Riddle me this

 
Riddle me this.

Tell me the truth.

What can this mean on 3 Chords & the Truth?

"Carry your fear on the radio because your baby is gone."

The mystery is deep.

The show is long.

Thank God the Big Show is known for fine song(s).

Does this make sense? Not a whole lot.

But I'm pretty sleep-deprived, so this is what you've got.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: Do you remember?

Somewhere in America today, there is a little girl blue.

You see, when someone asked her "Do you remember rock 'n' roll radio?" she realized that, no, she did not. Truth be told, she barely remembered radio at all.

Her parents, engrossed in the latest episode of 3 Chords & the Truth -- a most excellent podcast, by the way -- said that rock 'n' roll radio hadn't mattered, hadn't really mattered, since the end . . . the end of the century. Maybe the end . . . the end of the '70s.

For some reason, this left the child on needles and pins. She knew that her parents, despite their advanced age, were barely old enough to remember this thing -- was it on television?-- called Hullabaloo.

Upbeat, Shindig and Ed Sullivan, too.

But they remember rock 'n' roll radio.

YES, they remember rock 'n' roll radio. Country, jazz and easy-listening radio, too. Were they anything like that Hullabaloo? Wow. Rock 'n' roll radio. It must have shone brighter than the California sun.

The folks told her radio was a lot like 3 Chords & the Truth is today. In other words, a really Big Show, only back at the end of the century. Back at the end -- the end of the '70s.

But then the country took a swing to the right, and Mom and Dad said it was like everybody just put their teeth up on the windowsill after moving into a one-room country shack. And not even Mr. President has pity on the working man -- unemployed DJs, for instance.

It's all in the game, apparently.


Everybody wants you to pay them their money down. This has caused many to have almost lost their mind in the still of the night. After hearing her parents bare a piece of their hearts, the little girl blue wished she could bring Murray the K and Alan Freed to show and tell.

But she learned the two great DJs were not on Broadway, but instead were long cold, cold, cold in the ground. I don't know about you, but I go to pieces just thinking about it. Mercy, mercy.

THEN the little girl blue thought that, perhaps, she could bring the Big Show to show and tell. That's as close to rock 'n' roll radio you can get now, the folks say. And it makes them feel so young! They dream of lying in bed, with their covers pulled up over their head. Radio playin' so no one could see.

Yes, she thought, we need change, we need it fast. Before rock's just part of the past.

Yes, she thought, she will bring 3 Chords & the Truth to show and tell. She'll rock it like it's the end, the end of the century. Like it's the end, the end of the '70s.

Mom and Dad, she realized, are pretty smart. So's the Big Show.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: Don't be chicken, listen!

This week's show is not about chickens.

On the other hand, the music on this week's edition of 3 Chords & the Truth is so good that it just might cockle your doodle do. That's a funny, boy! I say . . . I say, I made a funny! What's wrong with you, boy?! Cat got your sense of humor?!?

I say, that's another funny, boy!

SORRY, the weather's been so bad this week, we're all a little loopy.

So, on the Big Show, we decided to have a little dance party to cheer ourselves up. But you'd better be versatile if you want to join in -- just a word to the wise.

And we're also going to have the mother of all Beatles-covers sets. Really, you'll want to hear this.

Other than that, I got nothing else to add -- other than a giant rooster.

That is all.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: Rebuilt and relaunched

And we're back . . .

This is the first new 3 Chords & the Truth episode since January, when the Big Show was being produced on an old PC that went BRRRRRRRT -- no, Beano isn't for electronics, alas -- in an overcrowded studio that really needed a facelift. So, it got a facelift.

And a new iMac. With new software.

And some paint.

And a lot of uncluttering.

And we're feeling groovy now.

YES, LIFE ON the Big Show front is good, and so is the music. Well, that's one thing that didn't change -- the good music.

It would have been a bloody shame to do all that remodeling work for the sake of sucky tunes.

Am I making any sense here? Exhaustion, don't you know?

So check out this brand-new episode of our studio-fresh music extravaganza while I enjoy the new digs here. And maybe take a nap.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: The velvet sounds

Because there's nothing more pathetic than a 50-year-old listening to gangsta rap. Doing the hand gestures and copping the "Uh huh. We bad" vacant stare.

That's my answer to why, in middle age, I've become rather fascinated by the stuff people my age listened to long, long before I was my age, and in many cases, before I was any age.

Huh?

What I'm saying is I like me some Jackie Gleason Orchestra. Some Ray Conniff Singers. Some Andy Williams, Stan Kenton and Henry Mancini. Music from when a hi-fi was a hi-fi and a record album cost $2.99.

I hated this stuff when I was young and had delusions of cool. Now that I'm much older -- if not quite "old" -- I have come to the conclusion that Young Me was an idiot under the spell of peer pressure and the young's delusions of solipsistic self-importance.

That's called perspective, and perspective says that "grown-up music" was a lot cooler than I thought in 1975. Or 1969. Or 1979.

BUT THIS post is about 3 Chords & the Truth, which I've only just now mentioned. Good thing this is what the Big Show is all about this week, as we go back to the space-age bachelor pad but stop off at Don Draper's favorite cocktail lounge for a quick one on the way there.

Oh, sure. You think I'm being silly and weird.

No, pally. Silly and weird is the 60-something Roger Daltrey still singing "I hope I die before I get old." Unless the start of "old" now is age 87, one of the last two of The Who missed his expiration date.

So y'all turn on the podcast, get comfy, make yourself a martini and join me on an expedition into sustainable cool -- a reconsideration of what once my generation dismissed before the scales fell off our eyes. Or at least my eyes.

And while we're at it, we'll see what relatively new stuff fits into a midcentury modern vibe. Fun stuff.

Soooooooooo . . .

IT'S 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: Yule love this gift

Christmastime is upon us. So consider this your present under the tree.

That's right, it's the 3 Chords & the Truth Christmas show -- just a little holiday token from me to you. This year, the Big Show would like to thank the fine folks at the Tin Cup Retirement Plan for their gracious sponsorship of this special Yuletide musical offering.

In today's world, you can't count on much, but you can count on your Tin Cup.

To me, a lot of this special episode of the Big Show sounds like Christmas -- just like the ones we used to know. Your mileage may vary, depending on how many years you have under your belt, but I think this holiday offering will be just as enjoyable no matter who you are.

AFTER ALL, that's the whole point of 3 Chords & the Truth . . . being enjoyable, no matter who you are. Good music -- and especially good Christmas music -- is funny that way.

So once again, let me thank the fine folks at Tin Cup Retirement Plan for making this holiday extravaganza possible, and also thank you for listening.

May your days be merry and bright,
And may all your Christmases be white

IT'S 3 Chords & the Truth, y'all. Be there. Alo-ho-ho-ho-ha.

3 Chords & the Truth: No lack of shellac

I've got me some old records, some 78s.

The "78" refers to the playing speed  -- 78 rpm -- and 78s are how folks listened to music at home way back there then.

Unsurprisingly to you, I'm sure, I have a lot of these masterpieces on black shellac. Last week, I picked up even more at an Omaha estate sale. All but one are from the 1930s, encompassing the very beginning of what we now know as "the Swing Era" of music.

And I'm sure it's also no surprise to you that we're featuring these old, old discs on this week's episode of 3 Chords & the Truth. Duh.

I'VE GOT some pretty early Benny Goodman in there and some Tommy Dorsey with a young Frank Sinatra on vocals, too. Lots of good stuff from when Grandma and Grandpa were young, and the world was about to learn all about the jitterbug.

That's just how we roll on the Big Show.

There's lots of other good stuff (not on 78s) on the show this week as well, which also is no doubt no shock to you. If it were, I'll bet you wouldn't be reading this to start with . . . or listing to this thing called 3 Chords & the Truth.

This is a program that's all about the music, without discrimination, pretty much.

NO, I take that back. The Big Show does discriminate big time. The bad stuff will not reach your ears -- at least not through any fault of your Mighty Favog or the Revolution 21 empire.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: It's good

Remember Barq's root beer?

When I was a kid in south Louisiana, there were Barq's advertising signs all over the countryside. They all said the same thing:

Drink Barq's. It's Good.

The perfect slogan -- a call to action plus the perfect rationale. Plus, Barq's was good. Still is.

Well, you just as well could apply the same slogan to this week's delicious episode of 3 Chords & the Truth -- the Revolution 21 music podcast. You just as well could apply it to every episode of the Big Show. So I will.

Listen to 3 Chords & the Truth. It's Good.

And it's right here.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: Music for grown-ups

Longtime Monitor host Gene Rayburn inside NBC's Radio Central

This week on the Big Show, we're all on the Monitor beacon once again.

Monitor was a revolutionary program when it was introduced to NBC Radio in 1955 -- a mix of music, news, features and interviews that ran most of every weekend. But for me, it's a bit of home, a bit of the world I knew.

It's grown-up news, grown-up hosts and grown-up music for what seemed at the time a grown-up world. By the measuring stick of our never-ending silly season -- as in this present moment -- the world of Monitor . . . America in the 1950s, '60s and early '70s seems even more grown up, despite the upheaval of that era.

AT LEAST the '50s and '60s had honest, substantive conflict. We have rival factions of spoiled schoolkids throwing spitballs, calling names and alternately picking up their toys and going home.

Mom!

Dammit, we all need a happy place. The memory of Monitor is one of mine -- a memory of a world run by adults. As opposed to us.

The memory of Monitor also is the memory of "Monitor music," which seemed very adult and very square then but now, upon further review, seems very adult and kinda cool. We'll be playing a lot of that on this episode of 3 Chords & the Truth.

The Monitor theme of the Big Show this go around jibes with some other themes floating around the stacks of wax in the studio here. Like home, and can you go there again. We'll be exploring that musically.

And old days, lost youth and the march of time. That's a tasty thematic set as well on 3 Chords & the Truth this week.

THAT MAKES two more theme sets that kind of point back to Monitor . . . the long-lost happy place on the radio dial for geeks like me. Monitor, the vanquished redoubt of grown-ups who used to run the world, took serious things seriously and, truth be told, kinda had more class than We Who Knew We Knew Better Than the Old Fogies.

That's it. That's pretty much the show this week, and I think it's a good one. I'll bet you will, too.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: BRRRRRT!

What does this edition of 3 Chords & the Truth have that Brand X lacks?

Only a computer with a hard drive that sounds like it could use some Beano, some Saxy Jazz from the days of Mad Men, more freeform musical variety than anywhere else . . . and a host who knows how to put it all together. Brrrrrrrt!

I think that's a heck of an endorsement, myself. No the Big Show isn't up for election, and we won't be inundating you with campaign robocalls. Yuck.

But aren't you tempted to check out 3 Chords & the Truth just on account of the farting PC? C'mon, you know you are.

BRRRRRRT!

This week's edition of 3 Chords & the Truth features a set that mans up, and a dreamy one, too. And there's another scrumptious and long foray into the wonderful world of jazz.

It's 3 Chords & the Truth, y'all. Be there or be . . . BRRRRRT!

3 Chords & the Truth: Jazzland

Welcome to Jazzland.

Well, to be fair, 3 Chords & the Truth also is Rockland, Soulland, New Waveland, Punkland and Folkland. And don't forget to visit our Bluesland gift shop before you leave.

But this week, the Big Show just happens to feature a big, honkin' set of luscious classic jazz from the 1950s and early '60s. And it's all a result of recent finds at the now-late, lamented Antiquarium record shop in Omaha's Old Market.

BECAUSE there's nothing like a record shop, and nothing like stumbling upon wonderful stuff all but lost to the mists of time and memory. And there's nothing like the smell of old record albums. And nothing like getting lost in the music . . . time after time.

That's what our big, honkin' jazz set is about this week. For that matter, that's what 3 Chords & the Truth is about every week.

Our little show isn't a great record shop, exactly, but it's close. And your own journey of musical discovery can start right here . . . where you can join your Mighty Favog deep within the exotic stacks of wax on his ongoing quest.

Oh, the things we'll discover!

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: Quand ça balance

Quand ça balance, you're in for a hell of a show on 3 Chords & the Truth.

Quand ça balance?

Mais oui, mon ami.

Quand ça balance -- or translated from idiomatic French, when it balances . . . when it's right, when it's all good, when it rocks -- the Big Show is gonna knock your socks off. This week especially, ça balance.

FROM AN exploration of travelin' music to a set featuring the glories of France, 3 Chords & the Truth . . . ça balance.

But that's what you've come to expect from our little weekly podcast, isn't it?

Let me put it this way: If you're not up dancing and having your own private disco-a go-go during large chunks of this week's edition of the Big Show, you may want to have a medical professional check your pulse and respiration.

Is what I'm saying, cher.

It's all about quand ça balance, and that extends to you, too.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: Here's to the 'squares'

 

The New York Times said Andy Williams was "hopelessly square" . . . at least in the eyes of my generation, back in the '60s.

I wish to point out that the same people who found Andy Williams "square" in their youth have spent their middle age doing "a heck of a job" -- in the Brownie sense -- with the American family, the American economy and American politics. In other words, what the hell do the Boomers know?

Squat, that's what. Trust me on this. I am one.

So call this episode of 3 Chords & the Truth a loving tribute to contrariness. Also call it a tribute to Andy Williams, who died Tuesday night at 84. He was a hell of a singer.

LIKEWISE, being that this week's edition of the Big Show will be featuring his music, you can safely say that it's going to be a hell of a show.

That will be obvious to you shortly . . . assuming, of course, that you evaluate music -- and singers -- on individual merit and not one's particular geometry. Remember, the young, hip trendsetter of today is the totally discredited investment banker of tomorrow.

But Andy Williams is now forever.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: No. 200

First, in October of '06, there was this little thing called the Revolution 21 Podcast. Serviceable, but the name was pretty generic.

Then, on Jan. 11, 2008, something happened to the podcast.

It got bigger, and it got a new name -- 3 Chords & the Truth. Four years, nine months and 10 days later, here we are.

3C&T 200.

To rip off the sentiments of the Grateful Dead, what a long, strange trip it's been.

TODAY, the Big Show is what it always has been, only more of it. More freeform. More eclectic. More audacious. More unique. More of a musical revolution for the 21st century.

And your Mighty Favog hopes you're having more and more fun. He certainly is.

This week, on 3 Chords & the Truth No. 200, we start off by greeting the arrival of autumn. Yay! I mean, when you start off a program with John Coltrane and Johnny Hartman's rendition of "Autumn Serenade," you're starting off at "special" and then aiming for the heavens. Then again, that's just the kind of deal the Big Show is.

Of course, there are attendant problems with this approach to a music program. At the top of the list -- particularly after a show like No. 200 -- is "How the hell do we top that?"

COME BACK next time for 3C&T 201 to find out.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: Creative deconstruction

Let me riddle you this.

Where does a set of really fine music reside if it deconstructs a theme, includes Louis Prima and Better Than Ezra and intersects with Abbe Lane?

The answer is obvious. Even more so if you listen to this week's episode of 3 Chords & the Truth.

Let me riddle you something else. What music show is full of color, even though you cannot see it?

I'LL LET you jazz around a while as you think on that. Here's a hint: It's a Big Show.

Now, finally, let me riddle you this: If a music-show host riddles about his show but makes no sense at all, might he be sleep-deprived?

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: The ol' one-two punch

Hello, Teacher? I'm just calling about my assignment.

Well, I wrote a most excellent report about this week's episode of 3 Chords & the Truth, but something happened.

No, ma'am. No, the dog didn't eat my homework. Not exactly.

Well, you see, it's like this. We're dog sitting for Sadie and her little brother, Boo. And Sadie's pretty old and doddering, you see.

Ma'am? Yes, ma'am, I'll get to the point.

ANYWAY, I did a really great writeup about the Big Show this week, and. . . .

Yes, ma'am. I'm getting to that, but it's kind of. . . .

Yes, ma'am. I know you don't have all day. Well . . . the dog pooped on my report. I only had the one copy, and I accidentally left it on the couch . . . and canine Grandma there had an accident.

On my most excellent report on this week's 3 Chords & the Truth. And I can't rewrite it in time for class Monday.

Why?

Well, the laptop's drying out, ma'am. Yes ma'am, it's what you think. She's very old, ma'am. Kind of senile.

The 30-second version? OK . . . the show this week is quite eclectic, as usual. A little old-school punk, a nice set of 1960s and '70s pop and lots of scrumptulicious jazz and rock form the core of the program, and. . . . Yes, ma'am. I know scrumptulicious ain't a word. OK, isn't a word.

Anyhow . . . anyway, I think this week's edition of the Big Show is quite upbeat and pleasing, and it definitely will hold your interest. It's really tight, as usual.

Ma'am?

THE PROGRAM had better be a lot better than the 30-second version of my report? Yes, ma'am, I think it is. I think you'll agree -- check it out.

Yes, ma'am. I will be getting Sadie some doggy diapers, you can Depends on it. No ma'am, that was a joke, not a subject-verb agreement problem. You know . . . Depends?

No, ma'am, it wasn't that funny after all, come to think of it.

Sum it all up? Well, OK, it's like this. . . .

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: Running the option

Another football season has arrived, and that brings to mind a helpful analogy for 3 Chords & the Truth.

Something about how Nebraska used to be the king of option football, about how you can't touch this . . . will he keep it . . . or pitch it . . . something something . . . yadda yadda . . . keep 'em guessing . . . just like the music on the Big Show . . . something something . . . whatever.

Brilliant timing is what makes it work . . . flexibility . . . amazing to behold . . . blah blah blah . . . 3 Chords & the Truth.

WE CLEAR on that, podna? Really, it's just as simple as can be.

It perfectly explains why this week's episode of the Big Show is so dadgum good, dadgummit! Now I'm off to watch the game.

It's 3 Chords & the Truth, y'all. Be there . . . TOUCHDOWN!!!

3 Chords & the Truth: We play everything!

You know what's great about 3 Chords & the Truth?

We play everything -- and nearly anything -- and it all ends up having a musical point. It goes somewhere. It's part of a tapestry we put together every single week here on the Big Show.

For instance, we start our first set of the day with the Carpenters covering the Beatles. That's not where it ends up, and all the fun is in getting there. Ta da! That's 3 Chords & the Truth in a nutshell.

Or CD jewel case. Whatever.

ANYWAY, that's our deal -- 3 Chords & the Truth plays everything (within reason). And it all has a point . . . and an end destination.

That's it. Managed to make my point right before my brain quit working due to exhaustion.

Whew! And nighty night.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: Rock-a-hula baby!

When the show is in the can, and on the Internets, and you can't decide what to write about it, that just might mean it's double good this week.

As a matter of fact, 3 Chords & the Truth is double good this week. I mean, do I tell you all about the Elvis tribute marking the 35th anniversary of the king of rock 'n' roll's passing?

Or maybe I should highlight out musical trip to the Hawaiian islands in this edition of the Big Show.

Elvis . . . audio luau . . . Elvis . . . audio luau. . . .

What to decide?

OH, the perils of being double good! Total PR paralysis!

Well, I can't decide, and I shall free myself from fretting over it.

OK, people, listen up! We got ourselves a mighty fine segment featuring the sounds of Hawaii over the years. We also got a wonderlific set of music by and about the King to mark that sad day in August 1977.

You can't go wrong with the Big Show this week. So you decide what you're tuning in for, I'm taking the night off.

IT'S 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: Overboard over 'over'

We're all over "over" over here on 3 Chords & the Truth.

What? No, really.

But that's "over," not Oveur. As in captain.

Victor's got the vector, and Clarence has the clearance, and Roger just rogered that . . . so we're taking off for a destination high over "over" and definitely not under the radar tracking tasty tunes on the Internets.

In other words, 3 Chords & the Truth, your one-stop source for audio wonderliciousness, is all over that sucker.

SURE, giving a whole segment of the show over to "over" may be overdoing it, but I don't think we're exactly going overboard over the thing on this week's edition of the Big Show. It sounds good to me over here, and I figure it will overwhelm you with excellence over there, too.

But it'll go over easy and sunny side up.

Of course, this week's devotion to "over" is only a scintilla of the oeuvre of 3 Chords & the Truth over the years, so it's not like we go over the top over "over." Just on this week's Big Show, we also display our overt affection for all things jazz . . . and rock . . . and blues, soul, country and the sounds of my native Louisiana. That's just how we roll here in the www.Revolution 21.org studios, located in beautiful Omaha, by God, Neb.

Eclecticism is the name of our musical game, and that musical match won't be ending until the fat lady sings. Which is good, because we don't do opera. Sorry.

WELL, I don't want to overtax your overwhelmingly ample patience, so I'll just say this week's show is a good 'un. That's all there is to it, plain and simple. I dare say you'll probably be over the moon once you start listening.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

Over and out.