3 Chords & the Truth: Music from the bunker

Signs, signs, everywhere there's signs.

Come to think of it, I ought to have played the Five Man Electrical Band this week on the Big Show.

Just as the Nebraska Legislature closed out a session where it pretty clearly put out a sign saying who's not welcome here, the skies opened, the lightning flashed, the wind roared . . . and the lights went out. Makes you wonder.

But the electricity eventually came back on, so you're thinking "Well, maybe not."

Until, as I was putting together this edition of 3 Chords & the Truth early this morning, the lights went out again. And it wasn't storming. The computer instantly went dead. The lights went off. It was early -- very early -- so I couldn't see my hand in front of my face.

So, there I was, stumbling around like a blind man without a cane, trying to find a flashlight and channeling my inner Roy Kent. And while two power outages may or may not be a sign from the Great Beyond, they certainly are a metaphor.

THE LIGHTS are going out in these parts. Darkness reigns, trying to pass itself off as light. People are always falling for that one.

And here we are. And here I am.

But here's the thing: The lights went out -- twice -- yet here's a band-new episode of the Big Show. The process took a little longer, you're kind of thinking "Now, where was I?" when the power comes back on, but nevertheless. . . .

I'm crouched down here in the culture-war bunker, in Omaha, by God, Nebraska . . . and I'm still inserting an eclectic, adventurous and stellar variety of music right onto the Internet and right into your preferred electronic device. Maybe that's a metaphor, too.

The brief version of my little story is just one short sentence: Don't let the bastards get you down.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

3 Chords & the Truth: The Ironic Curtain

Greetings from the wrong side of the Ironic Curtain.

The what?

The Ironic Curtain. Let me explain. What we’re seeing in America these days is the building of an Iron Curtain in this country, dividing red and blue states -- and dividing Americans into first- and second-class citizens.

In America . . . again.

The irony, of course, is that we now have an Iron Curtain -- much like the one that divided democratic Western Europe from the communist east after World War II -- in a country that styles itself as a beacon of freedom and democracy for the world. This is the second time that's happened here.

The first time, it was the line separating the Jim Crow South from the rest of the United States. Back then, there were definite similarities between the repression found in the Eastern Bloc countries and the repression found in the American South. Before that, the South's Jim Crow regimes served as inspiration for the policies of Adolf Hitler's Germany.

TODAY, those of us stuck behind the modern-day Ironic Curtain are starting to see certain similarities between ourselves and Vladimir Putin's fascist dictatorship in Russia and, much more closely, Viktor Orban's fascist, authoritarian regime in Hungary.

It's not a good place to be, especially if you're an official "Other." That's what this week's edition of 3 Chords & the Truth is all about, which is pretty much what last week's show was about, too.

As a Nebraskan by choice who sees what is happening to this state, I have been on the razor’s edge of rage for a while now. But it’s not really rage, fundamentally. What it is, is grief.

What I have witnessed during this session of the Nebraska Legislature -- and I have watched hours upon hours of it on television the past few weeks — is incipient fascism. The content of LB 547, and the chicanery employed to pass it, looked familiar to me; I was born in 1961 into Jim Crow era Louisiana.

I attended legally segregated public schools in Baton Rouge . . . until 1970. When my school was desegregated under a “neighborhood school” plan, I had a teacher tell me not to play with a Black classmate. I saw that Black classmate demeaned and discriminated against by our fourth-grade teacher.

As a Southerner of a certain age, I know what fascism and official “othering” looks like. And it has followed me here after all these years.

In Nebraska today, the Others are vulnerable pregnant women and transgender youth. Next year, the legislator behind today's othering intends to target drag shows.

I AM a 62-year-old man who has been married for almost 40 years. I do not understand transgenderism because, well, how the hell could I?

But I do understand that trans individuals are citizens of the United States and children of God, and they deserve to live in peace. The parents of trans youth have the right to seek the best care possible for their children. Medical science has no solution that will perfectly reconcile mind and body, but it should not be illegal to do the best one can -- especially when that might be what keeps your child alive.

As a Catholic, I would be inclined to proceed cautiously if I had a transgender child. But make no mistake, I would do what I had to do to keep my kid, first, alive and, second, happy and healthy.

But how parents raise -- or choose to medically treat -- their trans children is, fundamentally, none of my damned business. It is not the unicameral’s business. It isn’t even the church’s business. It’s just not.

Likewise, concerning abortion, I have to say I consider myself pro-life. However, LB 547, enacted by the legislature Friday, is no fitting way to reduce the instance of abortion as much as humanly possible. It also will endanger the lives of women with catastrophic pregnancies.

If legislators want to “save babies,” they should -- pardon my French -- give a shit about vulnerable women. They should give a shit about struggling families. They should give a shit about the outrageous expense of giving birth.

They should give a shit about the oppressive cost of decent daycare. They should give a shit about creating an effective social safety net. And they should give a shit about the jobs they’re about to drive away from Nebraska.

That said, this is the week Nebraska died. It’s over. And that's what informs this week's Big Show.

That is all. That is enough.

It's 3 Chords & the Truth, y'all. Be there. Aloha.