I could tell you all about this week's exciting and relevant episode of 3 Chords & the Truth, but . . . no. Rest assured, however, that you remain in our thoughts and prayers. It's the Big Show, y'all. Be there. Aloha.
What good is it, my brothers and sisters, if someone says he has faith but does not have works? Can that faith save him? If a brother or sister has nothing to wear and has no food for the day, and one of you says to them, "Go in peace, keep warm, and eat well," but you do not give them the necessities of the body, what good is it? So also faith of itself, if it does not have works, is dead.
Indeed someone might say, "You have faith and I have works." Demonstrate your faith to me without works, and I will demonstrate my faith to you from my works. You believe that God is one. You do well. Even the demons believe that and tremble. Do you want proof, you ignoramus, that faith without works is useless? Was not Abraham our father justified by works when he offered his son Isaac upon the altar? You see that faith was active along with his works, and faith was completed by the works. Thus the Scripture was fulfilled that says, Abraham believed God, and it was credited to him as righteousness, and he was called the friend of God. See how a person is justified by works and not by faith alone. For just as a body without a spirit is dead, so also faith without works is dead.
When the crazy gets to be too much, I get in a mood for the music equivalent of comfort food. I'll bet you do, too.
My happy place lies in the memories of radio when I could still count my age on two hands and a foot. My happy place is filled with all kinds of music . . . a wonderful world of music that's every bit as satisfying as a plate of fried chicken -- or pan-fried steak and onions -- with a slice of apple pie for dessert. The comfort music of 3 Chords & the Truth comes from the "misty water-colored mem'ries of the way we were," from AM radios playing Top-40 tunes, from the middle-of-the-road stations on the kitchen radio . . . from trailblazing weekend magazine shows like Monitoron the NBC Radio Network.
ACTUALLY,Monitor was about the only magazine show on network radio before National Public Radio borrowed heavily from the formula beginning in 1971. Only Monitor was much more diverse, ran hours a day all weekend long and played a lot more music.
"Grown-up music," to be sure, but some of it was pretty snappy. In a misty, water-colored mem'ry kind of comfort-foody way. That's where we're going on the Big Show this week. It's not the first time. Probably won't be the last. Linus had his security blanket; I got this. And now you got this, too. Enjoy. IT'S 3 Chords & the Truth, y'all. Be there. Aloha.
Elon Musk’s Tesla roadster, which launched on top of SpaceX’s Falcon Heavy earlier today,
is going farther out into the Solar System than originally planned. The
car was supposed to be put on a path around the Sun that would take the
vehicle out to the distance of Mars’ orbit. But the rocket carrying the
car seems to have overshot that trajectory and has put the Tesla in an
orbit that extends out into the asteroid belt between Mars and Jupiter.
This is an unusual edition of the Big Show, which this week explores the whole notion of . . . home.
Was Thomas Wolfe right in his posthumous 1940 novel, You Can’t Go Home Again? And what if you can’t go home again — sometimes — even when you never left?
And have you ever had the sick feeling that the country you call home suddenly feels like it’s anything but? You thought you knew your country . . . your people. But what if you were mistaken?
And . . . what about the American Dream? What about your hopes and expectations for your home — your life, your family, your place, your country? As Bruce Springsteen wrote, "Is a dream a lie if it don't come true, or is it something worse?"
INDONALD TRUMP'S Amerika, are you still feeling like you’re at home? What if your dreams are crashing down around you?
We have questions this week on the Big Show. Maybe we do or we don't have answers, but we sure have a lot of music to make you think.
I don’t care who you are, there’s one constant in this vale of tears: One way or another, nothing will break your heart like home. Yet home is what we always yearn for.
It's the damnedest thing. It's 3 Chords & the Truth, y'all. Be there. Aloha.
The lights grow ever dimmer across America. Darkness has come upon our land. Screw that. Shine a light and push back the shadows of our demons and dysfunction. Shine a light. Sing our songs. Listen to the music. Screw Washington. Push back against the hatred and nativism and racism and anarchists in tailored suits. Fight the power. Sing of the light amid the darkness. That's what we try to do on this -- and every -- episode of 3 Chords & the Truth. When we're doing that, even a little show can be the Big Show. Word. It's 3 Chords & the Truth, y'all. Be there.Aloha.
NOTE: This first ran in March 2009. It's running again because the man who was a big part of the life of just about every kid in Baton Rouge, La., for 35 years -- three generations of kids in some families -- died Wednesday. It's just as well that I don't start from scratch. For one thing, I don't think I'd express myself any better now -- I said what I had to say. For another thing, I'd be writing through tears. That just takes too damned long, frankly. If you didn't grow up where, and when, I grew up, this story from The Advocate might give you some idea of how big a deal was "Buckskin Bill" Black:
One of Baton Rouge’s most beloved figures, William “Bill” Black, known to most as “Buckskin” Bill,” died Wednesday, according to family members.
For decades, Black appeared daily on WAFB-TV in his cowboy character, charming generations of children with his homespun, good natured presence. His children's shows, "Storyland" aired in the morning and "The Buckskin Bill Show" aired in the afternoon on the television station Monday through Friday from 1955 to 1988. At the time, it held the national record for the longest-running children's show. It shifted to a Saturday morning only show, but was canceled a year later. He retired from the station in 1990.
Black reentered the public eye in 1994 when he was elected to the East Baton Rouge Parish School Board as part of a school reform initiative, replacing most of the sitting board member. Representing the Broadmoor area, Black remained on the board until 2010.
Ed Elkins, master control operator at WAFB, remembers moving from New Orleans to Baton Rouge in 1977 to work on Black’s TV show as a cameraman and later doing audio. Elkins said he knew nothing about the legend of “Buckskin Bill,” but learned quickly. When they met other people, “I would be invisible,” he recalled.
“(Black) was the star of Baton Rouge. He was the man,” Elkins said. “Just think how many children that have grown up to be icons of the community that watched his show.”
Donna Britt, WAFB’s anchor, came to the TV station in 1981 and had a similar experience.
“He was an icon from the word go,” Britt recalled. “He carried himself with dignity. He seemed to know everyone in the world.”
A family member told WAFB that Black died after getting an infection in the wake of partial hip replacement surgery that he had after breaking his hip in November. His wife, Elma, died April 5. Black is survived by a son and two daughters.
Black’s granddaughter Megan Musso said the family is still making funeral arrangements for Black.
Though Black’s show went off the air before she was born, Musso grew up with stories of her pawpaw and watching VHS tapes of his performances, but she said he never boasted about himself.
“I had lots of teachers who would ask me to do school reports on him because they admired him so much,” said Musso. “Even though I knew how much he meant to the community, he was still just my pawpaw.”
Musso, daughter of Black’s youngest child, Ginger Musso, said Black was a true performer even with his grandkids and she grew up playing the game, “Hully Gully,” before she even knew where it came from on Black’s TV show.
What will she miss? Musso offers a quick list: “His stories, his jokes. He would sing very well. And his laugh.”
ONE MORE THING. I added the above video, from Buckskin Bill's later days on "big, booming, powerful Channel 9" because it just captures what Buckskin Bill meant to all of us Baton Rouge kids . . . kids of all ages. As Buckskin starts his trademark Monday Morning March, we see him joined in the studio by parents and their children -- a mama and a daddy who no doubt marched in front of a big black-and-white television in their living room years before. And now here they were with The Man himself, passing down a legacy of televised love to a new generation. At the end of every show, he'd would sign off with a little advice: "You're never completely dressed until you put on a smile."
This early morning, I'm sitting here half naked as I write through my tears. Damn.
* * *
I know it's not Monday morning, and Lord knows I'm not a kid anymore. But sometimes you wish it were, and you were, because you'd like to do the Monday Morning March just one more time.
See, if you're of a certain age, and if you grew up anywhere reached by "big, booming, powerful Channel 9" in Baton Rouge, La., you most certainly grew up watching Buckskin Bill.
"Buckskin" was Bill Black, and he did his kiddie show for something like 35 years until he got canceled in 1990. For most of those years, Black donned his buckskins twice a day -- in the morning for the little kids on Storyland and then after school for the older kids with The Buckskin Bill Show.
IT WAS A Baton Rouge rite of passage for a kid to go before the WAFB-TV cameras -- to actually share the stage with Buckskin! -- on his birthday, with a Scout troop, or in a line of kids doing the "Elephant Walk."
I'm sure no one today would be particularly impressed with a never-ending loop of Henry Mancini's "Baby Elephant Walk" for a soundtrack as legions of kids filed by a barrel, dropping in their saved-up pennies to buy a pair of elephants for the city's brand-new zoo. Ah, but they forget that magic is made of equal parts simplicity and cheesiness. Yes, it is.
A few miles away, the competition on Channel 2, Count Macabre, would spoof this by saying "Remember, boys and girls, Baton Rouge is a zoo!" Both statements were demonstrably true.
Anyway, my turn on the Buckskin Bill Show came in March 1965. It was my fourth birthday. I brought a bottle of Bayer aspirin for Amazon relief.
BUCKSKIN sat me on his lap and started to ask some basic toddler-level questions. The cameras were huge. The lights were bright. I was silent.
My mother was crouched on the studio floor whispering "He's four!" Buckskin, no doubt, was wondering "Who is this woman?"
Why should the fambly be the only ones scratching their heads?
I never did say a bloody word, and Buckskin sent me on my ignominious way -- the redneck equivalent of a dumbstruck Ralphie being dispatched down the Santa slide some decades later in A Christmas Story. On the other hand, he bought us all Coca-Colas after the show.
Even preschool humiliation went better with Coca-Cola. And Holsum Bread.
Why am I writing this? Beats me. I was just thinking about Buckskin Bill -- again -- and how it's sad local television doesn't bother to make magic and memories anymore. Who does?
So there you go, the wistful musings of a middle-aged Southern boy . . . and some vintage video of the Monday Morning March from sometime near my arrival on planet Earth. It seems to me that, during a time when we fear our many crises will overwhelm us, we all need us some Monday Morning March. Even if it is Wednesday.
Oh . . . one more thing. "Remember, you're never completely dressed until you put on a smile."
President Trump grew frustrated with lawmakers Thursday in the Oval Office when they discussed protecting immigrants from Haiti, El Salvador and African countries as part of a bipartisan immigration deal, according to several people briefed on the meeting.
“Why are we having all these people from shithole countries come here?” Trump said, according to these people, referring to countries mentioned by the lawmakers.
Trump then suggested that the United States should instead bring more people from countries such as Norway, whose prime minister he met with Wednesday. The president, according to a White House official, also suggested he would be open to more immigrants from Asian countries because he felt they help the United States economically.
In addition, the president singled out Haiti, telling lawmakers that immigrants from that country must be left out of any deal, these people said.
“Why do we need more Haitians?” Trump said, according to people familiar with the meeting. “Take them out.”
IF SHITHOLE IS as shithole does, the United States might have become the biggest shithole of them all on Nov. 8, 2016.