Saturday, March 09, 2019

3 Chords & the Truth: The endless-winter blues


Donald Trump is autographing bibles in Alabama.

Well, of course he is. Hell has been frozen over for some time now -- and so has Omaha, by God, Nebraska.

Pardon us at 3 Chords & the Truth for being sick and tired of this crap. Winter. Ecclesiastical Lent piled on top of zeitgeist Lent. Winter. A world gone mad. Winter. . . .

You get the drift. Both kinds.

This week on the Big Show, we're muddling through and making the best of things. It's all anyone can do.

YEP, we got the good music, we're hanging onto it tight, and that will have to suffice.

I regret that my Seasonal Affective Disorder prevents me from elucidating further. My bad.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Wednesday, March 06, 2019

Day 1 of Lent: Oy veh!


In case you were wondering how Ash Wednesday, the first day of Lent, was going around here. . . .

So far, I've punted on Mass and have resorted to trolling the pope on Twitter. Maybe for Lent this year, I'll give up being even cursorily diplomatic.

Don't make me be fed up. You wouldn't like me when I'm fed up.

Saturday, March 02, 2019

3 Chords & the Truth: It's the Mardi Gras loco


Throw me somethin', Mister!

Preferably, my sanity.

I don't know about you, but right now I'm in need of a weapon of mass distraction. And here comes Mardi Gras to fill the bill.

We at the Big Show intend to latch on and run with it. After the daily assaults on our national sanity -- and grasp on reality -- we need a little blowout right now. We need to let it all hang out . . . whatever your favored conception of "it" might be.

This extra long, extra good edition of 3 Chords & the Truth is our attempt at that -- a last blowout before Lent, when we atone for our myriad sins. It's a lot like the last two years, only ecclesiastical.

And it only lasts till Easter.

SO EAT, drink and be merry, children, for Wednesday we fast.

So listen to the music and party, mes amis, for tomorrow is another day. Which probably will be as bat-shit crazy as yesterday, for we've been doing some national penance for a while now.

Grab some joy while -- and where -- you can.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Monday, February 25, 2019

As I was saying. . . .

When last I checked in on the blog machine, I was telling you we were in for some weather in Omaha, by God, Nebraska . . . and that I was planning to listen to the Big Show and make a pot of gumbo.

There was.

And I did.

Then, on Sunday, we -- Mrs. Favog and I -- shoveled. And shoveled. And shoveled.

As the state's new tourism slogan says -- Nebraska. Honestly, it's not for everyone. I don't know whether it specifically references blizzards and the, um . . . balmy 10 degrees it is right now.










PERSONALLY, I don't know why folks from all over these United States aren't flocking to Omaha just for the experience of eating a fine bowl of my creole gumbo while staring out the window at an arctic snowscape. As opposed to the de rigueur alligators, fire ants and drunks puking into Bourbon Street gutters down south in my native land.

But I suppose that's just me. Right now, the gators, fire ants and drunks named Ralph are all about 50 degrees warmer.

Honestly, I suppose Nebraska really isn't for everyone.

Friday, February 22, 2019

3 Chords & the Truth: When life hands you winter. . . .


There's weather comin'! And we're all gonna die!

So . . . before the blizzard hits us here in Omaha, by God, Nebraska, we're going to put one hell of a fine edition of 3 Chords & the Truth up here on the Internets. We intend to go out with a bang.

And as the snowy death envelops us on the Great Plains, we also intend to drink beer and eat gumbo. I am from south Louisiana, and that's how we roll when nature turns against us and venturing outside would not be the smart thing to do.

What would be the smart thing to do if weather's comin' where you are, too, would be to follow our lead at the Big Show and put on a pot of gumbo for yourself, too, and make sure you're well stocked with something to drink, as it were. The music . . . that we have covered for you.

That seems to cover it. Now we hunker down and wait for doom. Or gumbo.

One or the other -- perhaps both. Because weather's comin'.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Saturday, February 16, 2019

3 Chords & the Truth: Emergency to nowhere

  
Emergencies are bustin' out all over, and we have our own here at 3 Chords & the Truth.

God help us all.

Due to the crises facing us here and nationally, I shan't take much time to describe this week's edition of the Big Show. There are bigger fish to fry.

Of course, we don't actually know much about the ramifications of the emergency at hand, except that we damn well have one . . . and that it will severely impact the 3C&T way of life. We here at the program will continue to play fine music so that we remain calm and carry on.

THE IMPORTANT thing to remember is (insert word salad here).

And that's why it is so crucial that we have such an outlet as the Big Show to purvey the finest in eclectic, classic and progressive programming to the greater community and the world -- especially as we face these difficult times.

Etcetera, etcetera, blah bla-blah bla-blah blah blah.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Tuesday, February 12, 2019

The unshakable burden of growing up fascist


I have come to explain my native region of the country as born fascist. Fascist from its settlement by the white man -- fascist before we knew what fascism was.

The American South is fascist, was fascist and always has been fascist. Adolf Hitler and his German Nazis carefully studied the South as a blueprint for the kind of society they wanted to build at home -- and violently impose upon the world.

The evidence of this lies in the headlines of your daily newspaper today . . . and it was ever present in the headlines of yesteryear's daily newspapers, too. The articles here both were on the front page of the Morning World-Herald right here in Omaha, Tuesday, Feb. 3, 1948.

The police commissioner using his police powers to determine what records could and couldn't be sold in stores or played on jukeboxes was in Memphis. James O. Eastland -- the U.S. senator who went out of his way to make sure reporters knew he had referred to an NAACP official with a vile racial slur -- represented Mississippi, right next door to Tennessee.

Eastland served until 1978. Because Mississippi.

Any white Southerner of a certain age -- namely my age -- has to live in fear, to some degree, in the wake of the "woke" attempts at purging all racial transgressors from public life, regardless of the offense or whether it occurred decades ago. On one hand, it is inexcusable that Virginia Gov. Ralph Northam dressed up in blackface as a 20-something. It ain't good that Virginia attorney general Mark Herring browned up his face as a 19-year-old college freshman to impersonate one of his favorite rappers.

Northam is 59 now; Herring is 57. I am 57 -- almost 58.

On the one hand, this stuff is bad. Oughtn't have happened. Even in the 1980s, white Southerners should have known this stuff was unacceptable.

On the other hand . . . what the hell do people expect? How, in the name of basic sentience and a basic knowledge of American history, is anyone surprised?

And when, exactly, did Americans lose any belief in the tenets of grace, forgiveness and redemption? When did we all decide that it was impossible for people to change, to grow?

Listen, those of us born during the tail end of Jim Crow -- many of us raised by thoroughly racist parents within thoroughly racist families in a pervasively racist Southern society and culture -- too often didn't know what we didn't know. We all had to deal with the burden of our upbringing.

You have to understand the ubiquity of an extremely warped culture, and the Jim Crow and post-Jim Crow South was an extremely warped culture. After World War II, Germans of a certain age were allowed to redeem themselves once the Nazi regime had been relegated to several awful chapters of a world history textbook. Apparently, Southerners such as Northam and Herring in the commonwealth will not be granted that opportunity -- by their own countrymen, no less.


OBVIOUSLY, Northam botched his opportunity to explain himself and shine a light on what was, and to a large degree still is, a sick and racist culture. There probably will not now be a fruitful national dialogue about the role of culture -- particularly racist cultures -- in forming civil society and what it means to have been formed by a deviant society.

Neither will we have a productive national discussion about how we -- each of us -- might shed the unbearable burden of our upbringing. In this case, our very Southern upbringing.

Let me say it again: The American South, basically, was Nazi before the Nazis were Nazi. And that's the air that was the burden of Southern whites' upbringing. We didn't know anything else.

In the case of this Southern white boy who came into the world in the Louisiana of 1961, my first inkling that my world might be seriously f***ed up was network television. Specifically, Julia and Room 222. I cannot tell you how revolutionary it was to see black folk who were anything but the stereotypical "n*****s" we had been carefully taught to see and believe in.

There's a word to describe the upbringing of lots of Southern kids just like me. That would be "brainwashing." It started at birth and primarily was administered by parents who themselves had been brainwashed since birth.

Not to put too fine a point on it, network television was we Southerners' very own version of Radio Free Europe, Radio Liberty or the Voice of America. Many of our parents, kinfolk and the other adults surrounding us did not see it that way. In their vision, ABC, NBC and CBS were more like a bunch of "agitators," a bunch of "n***** lovers" or a "bunch of goddamn commerniss."

This can't be overstated. It just can't. Oh . . . I was born and raised in Baton Rouge. I went to public schools. That means, for my grade level, that I went to de jure segregated schools until fourth grade in 1970.

And when my school was "integrated" -- and in 1970 "neighborhood schools" was a federal-court desegregation tool in Baton Rouge -- my school had two black kids . . . whose family had lived in the neighborhood before there was a neighborhood. One, Janice, was in my class.

She was my friend, and we played together at recess. A teacher told me I shouldn't do that -- it didn't look right to be playing with "a colored girl." To her credit, my racist mother (rather inexplicably, given "racist") called the NAACP to complain about that one.

Janice was treated horribly across the board. Seeing that was another brick knocked out of the wall. A major reinforcement to the counternarrative coming from Radio Free Dixie -- a.k.a., ABC, NBC and CBS.

So, on one level, I'm reluctant to condemn Ralph Northam, as bad as it all is. I was guilty of something worse than blackface when I was just 4 years old. But we Southerners just have to quit lying to ourselves and everybody else. We have to look -- hard -- at who we were . . . and are.

And we, at long last, have to be accountable.

We Southerners, in addition to a racism/fascism problem, have had a sincerity problem for a long damn time now.

Saturday, February 09, 2019

3 Chords & the Truth: Fill 'er up with Ethyl


We got a '48 Buick with the feather-touch steering.

We got a tankful of Ethyl.

We got a fistful of Green Stamps.

It's dark, and 3 Chords & the Truth is wearing sunglasses.

Hit it.

That's right. This week, the Big Show hits the road.

Sure, the road in this case only may be in our mind's ear . . . but in times like these, you take what you can get. Am I right?

SO, IT'S ONE for my baby, and one more for Ethyl. What? You don't know Ethyl? Look her up; she's probably listed in the Google book.

Let's get started -- it's a long, long road.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Saturday, February 02, 2019

3 Chords & the Truth: Pop a top

In a studio in Omaha,
We assembled a defeated old fart
From somewhere in the South . . .
To bring you this message
From the last working brain cells
All over the world . . .

It's the real thing. Beer.

I'd like to buy the world a home
and furnish it with love
grow apple trees and honey bees
and snow white turtle doves.

I'd like to each the world to sing -- in perfect harmony. I'd like to buy the world a beer and keep it company.

That's the real thing.

I'd like to each the world to sing -- in perfect harmony. I'd like to buy the world a beer and keep it company.
That's the real thing. Beer.

And the Big Show.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Friday, February 01, 2019

'We haven't stopped.' (Lying, that is.)



Well, this is rich. It was laughable on Monday, Oct. 18, 1971, and it's a regular riot today, more than 47 years later.

Thanks to protectors of Louisiana's natural resources, like oil-and-gas stalwart Louisiana Land and Exploration Co., there's a lot less of Louisiana's natural resources to protect -- save for the saltwater of the Gulf of Mexico that's replaced the land and marsh where those oil derricks and oil-company canals once were.

Who knew that tearing up the marsh and digging expressways for saltwater intrusion weren't ecological best practices? More importantly, who cared? 

THE OBVIOUS answer to that one is "Not enough people."

It's a sad thing to live long enough to see your homeland commit suicide. But there we are.

At least we can appreciate the irony of this ad from way back when. (Insert bitter, knowing chuckle here.)

Saturday, January 26, 2019

3 Chords & the Truth: No, this ain't ordinary


It's the glory of, the power of "No."

In Washington, it can make bullies fold like a newspaper. Here, it can banish the stale and the ordinary -- "No, we're not doing what we're supposed to do. No, we're gonna do something way beyond the ordinary."

And then the "nos" lead to yesses. "Yes, this is something that will blow your mind."

"Yes, 3 Chords & the Truth is something that's extraordinary."

"Yes, we're throwing away all the labels."

"Yes, we recognize only two kinds of music -- good and bad."

AND THEN,  and then . . .  we're right back to another "no." No . . . the bad, we don't mess with.

That's the glory of, that's the power of the Big Show. Dig it?

I knew that you would.

See, that's the story of this here little podcast. We embrace the power of "no." And that's a great big "YES!" for you.

It's 3 Chords & the Truth, y'all. Be there.  Aloha.



Saturday, January 19, 2019

3 Chords & the Truth: Plumb out of clever


This is your head.

This is your head when it's plumb out of clever.

This is your head when you embrace the void, and just play some s*** and call it . . . good, actually.

That's where we are today on this, the latest episode of 3 Chords & the Truth. We're absolutely, positively out of cutesy, clever or anything vaguely resembling thematic.

You know what, though? That's OK. As it turns out, the Big Show doesn't particularly need cutesy, clever or thematic. What it needs is good music, and that we got plenty of.

OH . . . we also got this nifty picture of a vacuum tube from a 1928 RCA Radiola 18. That's a radio -- remember those?

After 91 years, it still works fine. I seriously doubt your big-screen TV, your laptop, your smartphone . . . or your government will still be functional in nine decades.

Hell, your government isn't functional now. But I digress.

The show. Music. Good. Getting by without big theme or cleverness. Check.

It's 3 Chords & the Truth, y'all. Be there.  Aloha.



Friday, January 18, 2019

It's magi-sounda-what?


Don't know what to make of 3 Chords & the Truth?

That's OK. Sometimes, neither do I. Then again, that's kind of the point of the whole thing.

It's the Big Show, y'all. Be there. Aloha.

Saturday, January 12, 2019

3 Chords & the Truth: All in all . . . .


All in all, we're just another brick in the wall.

Or another bollard in the steel-slat, fencey-wally thing to keep the brown people out.

As we post this week's edition of 3 Chords & the Truth, a quarter of the U.S. government still is flat-lined because Someone wants his big, beautiful border wall, and Congress won't fund it. Some 800,000 federal employees aren't being paid . . . whether they've been furloughed or are being forced into "essential personnel" involuntary servitude.

Slave labor is real, people. Still.

It's another fine mess we've gotten ourselves into.

OR, IN THE topical Big Show universe in which your Mighty Favog produces this particular podcast, it's (as is regularly said in the Omaha, by God, Nebraska studios as a show theme percolates its way into reality), "Another week, another clusterf*** we have to address."

Well, let's just say that 3 Chords & the Truth endeavors to make America's national clusterf***s as entertaining as possible. And dat's da name of dat toon.

Yeah. Amusing and thought-provoking clusterf***s. Such is life these days in these here United States. And on this here program.

You can be assured that this latest cock-up is being made the most of. Dangling preposition and all.

I personally think it's well worth a listen. But that's just me. You're welcome to agree, however.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Monday, January 07, 2019

One speaker + 10 watts = HOLY CRAP!

OK, so I have this 1957 Realistic tuner and amplifier. Vacuum-tube city, don't you know?

There's also a 1952 Webcor record changer, a Bluetooth receiver, a little utility mixer . . . and a Gough speaker enclosure built from plans sold by Welsh speaker-designer Jabez Gough in 1961. I've been highly impressed at the sound this cabinet gets out of a single 8-inch driver. Now I'm doubly impressed now that I've replaced the Electro-Voice Wolverine LT-8 triaxial speaker with an older (and heavier) E-V SP8B coaxial driver.

YOU'D THINK a two-way driver would be a bit of a drop-off from the three-way. In this case, you'd be wrong. The difference was marked, and for the better. That SP8B sings in that Gough enclosure -- good high end, great midrange presence and deep bass that's just the right amount of low end.

All this from one 8-inch two-way speaker that was a "starter driver" for your average late-1950s "hi-fi nut" building his own speaker system. Go figure.

For me, though, it just sounds like my childhood . . . only in mono and probably a bit better than the 1962 Magnavox Stereo Theatre that defined "good sound" for a budding Baby Boomer audio geek.

I am sure a smartphone and earbuds serve a purpose. Actually, one good purpose my iPhone often serves is feeding Internet radio to the mid-century audio extravaganza.

I likewise am sure earbuds or "smart speakers" serve a purpose, whatever the hell that might be. Really, I'm sure they're just fine.

But, by God, they ain't this.

Friday, January 04, 2019

Christmas ain't over till the wise men proclaim

If you can't use the classic peel-off Polaroid film and classic Polaroid cameras anymore, you can use my new favorite iPhone app in the world -- the Polaroid Fx app, which makes smartphone pictures look like whatever kind of Polaroid snapshot you'd like.

Here, I have a Polaroid 107 black-and-white film thing going. Now, if the app could just let you pull the actual print out of your phone and peel the negative off, that would be great.

Friday, December 21, 2018

3 Chords & the Truth: Dude! Merry Christmas!


If you don't listen to a 3 Chords & the Truth Christmas -- that's the big Yuletide Blowout Edition of the Big Show -- Santa Claus is going to shove a lump of coal down your Fruit of the Looms and set it alight.

And Buddy the Elf is gonna laaaaaaaugh and laaaaaaaugh and laugh.

Have a blessed Christmas, now, y'all, y'hear?

It's 3 Chords & the Truth, y'all. Be there. Aloha.