SMASH RUNNING-DOG VERBAL DIARRHEAOF DILETTANTE U.S. REVOLUTIONARIES!

Does anybody in his right mind take crap like this seriously?

I found this hand-scrawled tract lying on the ground at Omaha's almost-dead, soon to be razed Crossroads Mall today, and I think there's a metaphor somewhere in that circumstance. I'm also thinking somebody watched "Reds" five times too many. Sheesh.

What's worse is that I agree with the general sentiment, hiding though it be in a steaming pile of outraged agitprop. Yes, the growing inequality of our society is a bad thing -- it's a very bad thing if you're the minimum-wage bug and not the overcompensated windshield. And what Wall Street bankers and bond traders have gotten away with the last decade (and more) is outrageous.

You can't even call it beating the rap. There's no rap to beat, and that is an affront to both social justice and civil society.

Furthermore, balancing a budget on the backs of those who most need "entitlements" like Social Security, Medicare and Medicaid when the "1 percent" -- indeed, even the 10 percent -- are well capable of paying a fairer share of taxes would be fundamentally unjust. Cruel, even.

WE ARE our brother's keeper -- this comes from a Very High Authority, indeed -- and a society for which that is not an organizing principle is one that would be, in a word, brutish.

There's a lot you can say on this subject in support of reining in Wall Street and bestowing a little governmental mercy upon Main Street, not to mention Skid Row. It all would comport with what Abraham Lincoln called "the better angels of our nature," and some of it might even persuade a few Fox News Channel viewers.

Hand-scrawled tracts parroting a bunch of Leon Trotsky's B-sides?  Not so much. 

It's a natural fact that anywhere you land on God's green earth, those who are quickest to lend a helping hand -- to share with you whatever they have -- tend to be those who can least afford their own generosity. It doesn't take much for these souls to "give until it hurts."

"The widow's mite" wasn't just something Jesus pulled out of thin air.

BUT the thing is, those in our society who have the most right to be damned angry at their plight generally aren't half as mad as America's outraged, tract-scrawling, fill-in-the-blank-occupying dilettante revolutionaries, whose sound and fury thus far has signified pretty much nothing. Kind of like John Reed back in the day.

Frankly, I think America's have-nots deserve better representation.

The Weather With Cap'n Sandy

Yo ho! Yo ho!
What's the weather going to be?
Here's the man who knows,
Let's take a look and see.
Here is Cap'n Sandy with the weather he has found
For Savannah and for Chatham and the counties all around!

 
I'm of two minds on this, which means I may have lost mine completely and you might want to pay me no mind at all.

My one mind thinks that "Savannah Sunshine" may not just have been a weather forecast . . . if you get my smoke signals, kemo sabe. Then again, my other mind thinks, "This is freakin' great! What boring people we have become in the last 50 years."

If I were you, I'd listen to my other mind. It's less of an a-hole.

It laments the loss of eccentric hometown treasures like The Weather With Cap'n Sandy, and it mourns the passing of the men and women who became local legends. Theirs may not have been a better culture than the postmodern one we've created, but both of my minds say it certainly was a richer and more humane one.

Und I vood haff veys uff dealink vith ziss Calamity Clam, ya!

'And may God's love be with you . . .'

Canadian astronauts rock! No, really.

The Canadian Space Agency collaborated on this high-flying remake of David Bowie's "Space Oddity" last month, but I only just now got around to watching the music video, which needed absolutely no special effects to take your breath away. And Chris Hadfield can hold his own as a musician.

Reliable sources tell me NASA wanted to beat Canada to the punch in extraterrestrial music videos, but the project was $6 billion over budget when the sequester hit, and the coup de grace for the space-station version of "God Bless the USA" was when Lee Greenwood balked, saying there wasn't "no way in hell" he was "gettin' in no damn pinko-commie spaceship."

After further consideration. . . .

Kanye West was right.

Watching Taylor Swift preen and oversing her way through Marianne Faithfull's masterpiece, "As Tears Go By," is too much to bear. She needs to go away. Now.

What's worse is that the shameless and decrepit Mick Jagger has so little respect for the song he and Keith Richards wrote that he co-leads the charge in its defilement. At least Richards' acoustic-guitar work is nice.

Still, it's increasingly clear this is a band that should have hung it up before it released the "Some Girls" album in 1978. The destruction of a great legacy began then, and it's now being capped off with the band's sad and shambles-worthy 50th-anniversary tour.

WATCHING the concert videos from this tour -- videos released by the Stones themselves -- is like going to the open-casket funeral of someone who died in some horrific, fiery accident . . . with the narcissistic, imbecilic Swift preening her way through the proceedings.

Only this grotesque spectacle is totally self-inflicted.

I would have preferred to remember the deceased the way they were, back when I was young and they were good. But now I can't. The mangled, charred corpse of the "World's Greatest Rock 'n' Roll Band" forever will be branded on my brain.

File this under "The Dangers of Planning Your Own Funeral."

Crap. Even getting myself Keith Richards wasted couldn't make me forget what can't be forgotten.

Thanks, guys.

Hooked on sticky-sweet phonics

As it turns out, the soon-to-be-former president of Everybody's Favorite University had it exactly bass-ackward.

Sorry Gordon Gee of THE Oh'o Stt Un'vrsty, it appears it's the kids at the SEC schools who can read just fine. The Big Ten? Not so much.

Caramel has three syllables, the middle of which is a short "a." Un, deux, trois . . . as in the number of weeks a certain soon-to-be-former university president has left on the job.

Anyone who can read can see this, and those who can see this inhabit all the schools the pres'dnt of THE Oh'o Stt Un'vrsty contends have an illiteracy problem. Oops.

"CAR ∙ ml"? Civilized people don't know what that is, but they suspect it has something to do with candy made from melted cars. Maybe it's popular in Michigan and Ohio, where they used to make such things.

But what do I know? I'm just a "damn Catholic."

7 can help . . . revive a landmark

 
Wow. Just wow.

In 1898, Burlington Station was built to make a big impression -- there was a world's fair going on in the young city on the Plains, and the message to Trans-Mississippi Exposition visitors was to be singular from the moment they stepped off the train.

Everything is up to date in Omaha.

A century and change later, steam locomotives have gone the way of  T. Rex (both the dinosaur and the band), and old Burlington Station has been something of a fossil itself. The last Burlington Northern passenger train pulled off into the sunset in 1971, and then-new Amtrak abandoned the depot in 1974 for much smaller, cheaper-to-maintain digs next door.

So there it has sat for almost 40 years . . . alone in its faded glory.

Likewise for the last four decades, Omahans have driven down 10th Street, glanced over from the viaduct and thought "Somebody really needs to do something with Burlington Station."

WEDNESDAY, somebody stepped up to do something with Burlington Station. KETV announced that a renovated Burlington would be the new, bigger and state-of-the-art home for Channel 7 in a couple of years.

Ariel Roblin, president and general manager of KETV, said Wednesday that the television station has been at 2665 Douglas St. for 50 years, a time of significant change for broadcasting. Station officials, looking for a larger, updated facility, considered several sites and were attracted by the chance to bring a historic building back to life while gaining more operating space.

The project represents a multimillion-dollar investment in Omaha, she said, but she declined to estimate the total cost.

“It allows us to move with the technology,” Roblin said. “We looked at all kinds of options, but this one really made sense to us because it exemplifies what we do. Bringing back an old building to something beautiful and used and honored is important to us.”
KETV's plan calls for restoring the building's exterior to its historic appearance, Roblin said, which may qualify for preservation tax credits, and installing the newest technology inside.“One of the things that rang the most true was everyone's memories of being in this building,” she said. “We haven't finalized the plans for the interior yet, but we do have in mind that there is probably going to be some area that people will be able to access so that they can experience what we've done and may take a trip down memory lane for themselves.”

The news operation would be on the building's first floor, with administration, advertising and other departments on the second floor. The site has ample parking. Roblin said plans for the 2665 Douglas property are uncertain.

Constructed in 1898 and extensively remodeled in 1930, the limestone and brick depot has been vacant, while the Union Station just to the north was restored and turned into the Durham Museum, housing historic Omaha artifacts and related exhibits.

WOW. Just wow.

Operator? Information. Get me Obama on the line.

A journalism professor of mine at Louisiana State used to tell us that every time he made an international call, he'd always close with "And greetings to the good people at the NSA!"

Because, of course, everybody knew the National Security Agency was eavesdropping on most, if not all, overseas telephone calls in search of Russkie spies, pinko security threats or whatnot. It was the Cold War, after all.

Today, things are different. After more than a decade of the endless -- and endlessly amorphous -- War on Terror, we need to be closing every phone call with "And greetings to the good people at the NSA, the FBI and whomever else in the U.S. government might be listening in!"

As a convenience to its land-line and cellular customers, maybe Verizon could just insert that friendly "Greetings to our federal overlords!" into the metadata for every call it handles. That's because the NSA, on behalf of the Federal Bureau of Investigation, is collecting data on every call the phone company handles -- which would be yours, if you're a customer.

And, as a courtesy to my friendly, neighborhood G-man, that Verizon cell-phone call made to the Mighty Favog by Abu Missus last night at 8:51 p.m., was to see whether I needed anything else from CVS. No radioactive iodine or ammonium nitrate was involved, I swear.

But if you show up at the door, I'm gonna lawyer up like a son of a bitch before you can ship me off to Guantanamo.

ANYWAY, confirmation of our present political-freedom-cannot-withstand-a-never-ending-state-of-war moment has been brought to you by The Guardian, the left-wing British daily. Not, I note, by any American newspaper -- liberal, conservative or conflicted:

The National Security Agency is currently collecting the telephone records of millions of US customers of Verizon, one of America's largest telecoms providers, under a top secret court order issued in April.

The order, a copy of which has been obtained by the Guardian, requires Verizon on an "ongoing, daily basis" to give the NSA information on all telephone calls in its systems, both within the US and between the US and other countries.

The document shows for the first time that under the Obama administration the communication records of millions of US citizens are being collected indiscriminately and in bulk – regardless of whether they are suspected of any wrongdoing.

The secret Foreign Intelligence Surveillance Court (Fisa) granted the order to the FBI on April 25, giving the government unlimited authority to obtain the data for a specified three-month period ending on July 19.

Under the terms of the blanket order, the numbers of both parties on a call are handed over, as is location data, call duration, unique identifiers, and the time and duration of all calls. The contents of the conversation itself are not covered.

The disclosure is likely to reignite longstanding debates in the US over the proper extent of the government's domestic spying powers.

Under the Bush administration, officials in security agencies had disclosed to reporters the large-scale collection of call records data by the NSA, but this is the first time significant and top-secret documents have revealed the continuation of the practice on a massive scale under President Obama.

The unlimited nature of the records being handed over to the NSA is extremely unusual. Fisa court orders typically direct the production of records pertaining to a specific named target who is suspected of being an agent of a terrorist group or foreign state, or a finite set of individually named targets.

The Guardian approached the National Security Agency, the White House and the Department of Justice for comment in advance of publication on Wednesday. All declined. The agencies were also offered the opportunity to raise specific security concerns regarding the publication of the court order.

The court order expressly bars Verizon from disclosing to the public either the existence of the FBI's request for its customers' records, or the court order itself.

"We decline comment," said Ed McFadden, a Washington-based Verizon spokesman.

The order, signed by Judge Roger Vinson, compels Verizon to produce to the NSA electronic copies of "all call detail records or 'telephony metadata' created by Verizon for communications between the United States and abroad" or "wholly within the United States, including local telephone calls".

I THINK we now understand exactly what all that "change" President Obama promised us in 2008 was all about.

It means that the New Boss is pretty much the same as the Old Boss, except that he's black, is from Chicago, plays basketball instead of riding a bicycle and is more better well-spoken. Frankly, it would take an extraordinary man to roll back the fascistic powers the modern American president has amassed since Dwight Eisenhower warned us about the military-industrial complex back in 1960.

Barack Obama ain't that extraordinary. Like most of low-down, rotten humanity, the man craves power like a hog loves slop.

You might want to think about that before clamoring for yet another battle to fight on the global stage (Syria, anyone? Iran, perhaps?) -- yet another pretext to send more young Americans home in plastic bags, yet another pretext to turn you into a little bit more of a subject instead of a citizen.

And people were worried about "Obamacare."

Analog in a digital world

Rockin' it really old school in the Revolution 21-slash-3 Chords & the Truth studio tonight. Jazz in the night from a 1960 Voice of Music tuner hooked up to a 1962 Pioneer stereo multiplex converter, and it's all being recorded by a TEAC reel-to-reel deck, circa 1969.

The Crown monitor amp is new, but what you gonna do? They're damn fine amplifiers.

For what it's worth, I shot the video with a Microsoft Surface tablet, which has decent-sounding microphones that also are prone to being overdriven. Sorry about that.

Gee, our old LaSalle ran great. . . .

Thirty-three years later, this still makes me cry.

Somehow, this scene from Archie Bunker's Place seems highly appropriate today.  The New York Times today bears the sad news:

Jean Stapleton, the character actress whose portrayal of a slow-witted, big-hearted and submissive — up to a point — housewife on the groundbreaking series “All in the Family” made her, along with Mary Tyler Moore and Bea Arthur, not only one of the foremost women in television comedy in the 1970s but a symbol of emergent feminism in American popular culture, died on Friday at her home in New York City. She was 90.

Her agent, David Shaul, confirmed her death.

Ms. Stapleton, though never an ingénue or a leading lady, was an accomplished theater actress with a few television credits when the producer Norman Lear, who had seen her in the musical “Damn Yankees” on Broadway, asked her to audition for a new series. The audition, for a character named Edith Bunker, changed her life.

The show, initially called “Those Were the Days,” was Mr. Lear’s adaptation, for an American audience, of an English series called “Till Death Us Do Part,” about a working-class couple in east London who held reactionary and racist views.

It took shape slowly. The producers filmed three different pilots, the show changed networks to CBS from ABC, and Ms. Stapleton acted in a film directed by Mr. Lear, “Cold Turkey,” before “All in the Family,” as it was finally called, was first broadcast in January 1971.

For three or four months, hampered by mixed reviews, it struggled to find an audience, but when it did, it became one of the most popular shows in television, finishing first in the Nielsen ratings for five consecutive seasons and winning four consecutive Emmy Awards for outstanding comedy series. Ms. Stapleton won three Emmys of her own, in 1971, ’72 and ’78.

I REMEMBER, during a 1986 visit to the Smithsonian's American history museum,  that one of the biggest thrills for me -- this in a museum filled with amazing things, including the original "Star-Spangled Banner" from the War of 1812 -- was being able to gaze upon Archie and Edith's chairs from All in the Family.

Perhaps it was that I had seen these things every week for years on the small screen. Or maybe it was because they were second-class relics of two of the greatest actors in the history of television.

Whatever the case, I am sure of one thing. No one will ever fill those chairs.

The hunter becomes the hunted

The @weatherchannel vehicle just got thrown by tornado. We stopped to help & they are OK. @jimcantore twitter.com/SeanSchoferTVN…
— Sean Schofer (@SeanSchoferTVN) June 1, 2013

DOES THIS mean that God hates cable TV? Or was Mother Nature just saying "TORCON this!"

"Enquiring minds," etc., and so on. . . .

3 Chords & the Truth: Let yourself go

 
As a public service to our listeners everywhere, the Big Show is happy to pass along the following advice from Irving Berlin.

Per the usual procedure, it is strongly advised that you do the following while listening to 3 Chords & the Truth for maximum musical enjoyment. And now, our free advice:

As you listen to the band don't you get a bubble?
As you listen to them play don't you get a glow?
If you step out on the floor
You'll forget your trouble
If you go into your dance
You'll forget your woe
So:

Come
Get together
Let the dance floor feel your leather
Step as lightly as a feather
Let yourself go

Come
Hit the timber
Loosen up and start to limber
Can't you hear that hot marimba?
Let yourself go

Let yourself go
Relax
And let yourself go
Relax
You've got yourself tied up in a knot
The night is cold but the music's hot

THIS MUSICAL advice has been brought to you by the Big Show, the happy home of your Omaha friends on the Internets. Listen early and listen often -- a rich menu of musical goodness awaits!

It's 3 Chords & the Truth, y'all. Be there. Aloha.

The quadrangle of broken dreams

Since I had given up hope, I felt a whole lot better.

And since I had been feeling a whole lot better, I hadn't been writing much about the perils of the Pelican State lately. For one thing, I'm a Nebraskan originally from Louisiana, not a Louisianian who has to put up with that s***  anymore. For another thing, if people in Louisiana were willing to listen to a little common sense, they wouldn't be in the perpetual mess that is their lot in life, apparently.

Finally, it's not like I'm planning on moving back.

But I was asked to write a guest post about Louisiana's woes being a matter of culture and not politics -- always remember . . . culture precedes politics -- for LSU journalism professor Robert Mann's excellent blog, so I opened up a vein, and there you go.

IT WAS the least I could do for someone at my alma mater, filled as it is with faculty and staff busting their asses to give Louisianians more education than they're willing to pay for, as well as a better flagship university than the state deserves. Like Rhett Butler, apparently, they've "always had a weakness for lost causes once they're really lost." 

And the experts say, as J.R. Ball outlines in the Greater Baton Rouge Business Report, that LSU's national cause really is lost, thanks to an indifferent public and an execrable pile of politicians befouling the capitol that Huey built:

Connect the reality dots discussed during the meeting and it's clear LSU's situation will get worse before it begins—hopefully—to get better. LSU is not a top 100 school in the U.S. News & World Report list, nor is it in the top 100 on the more respected National Science Foundation rankings. The current trajectory is research grants are declining dramatically as top faculty, tired of an institution held together by duct tape and rubber bands, are leaving for universities in states where higher education is actually taken seriously.

All of which makes reaching the goal of LSU2015—transforming the state's flagship institution into a nationally recognized research university able to attract and retain the world's best academic and research talent—about as likely as finding Bo Rein's plane in the Atlantic Ocean.

Jim Firnberg, a member of the committee and a former consultant for the NSF, says LSU should focus on six research areas where it has a legitimate chance to compete nationally—environmental science and coastal research, biomedical sciences, energy, arts and humanities, computation and digital media, and natural and renewable resources. Yet, he warns, the tomorrow of LSU becoming a top 50 research university will never come. At best, LSU could become a top 75 institution.

Putting that in sports terms—which seems to be the only thing associated with education that people in this state understand—LSU will never be a BCS-caliber academic school; the best it can hope for is mid-major status.

Just one day after this somber reminder of LSU's place in the world of higher education, a bid to end almost 20 years of tuition control by the Legislature died when the same elected officials who, over the past six years, have cut some $650 million in higher education funding, did not see the need to give university boards the right to increase tuition rates that, by national standards, are pathetically low. In other words, the actions of Gov. Bobby Jindal and legislators are loudly telling university leaders they need to find a way to operate with minimal state subsidies, but legislators aren't about to let them do it with much-needed tuition hikes.

We now have a new definition for “moronic.”

Even with the most optimistic Jindal-backed accounting method, higher education has been whacked some $300 million over the past six years, much of that absorbed by LSU. Yet we hear nothing from those wielding the ax about the resulting job losses, or the fact that higher education is supposed to be the key to our economic success in a world powered by knowledge, research and creativity. When officials at LSU and other state universities complain, those who complain too loudly are eased out of their jobs and those that remain are told to shut up and figure it out.

AND INDIGNANT Louisianians say I hate the Not-So-Great State. Whatever lets you sleep at night, man. Whatever lets you sleep at night.

TV crack for the Boomer vidhead

Playing as soon as you hit the start button . . . the 1972 pilot for Emergency.

Gage, DeSoto, Dr. Brackett, Nurse Dixie, lots of sirens and perilous predicaments . . . and Millie Helper with a toilet seat epoxied to her butt. All directed by Jack Webb. What more could you possibly want out of a TV movie?

Sorry, but I do so miss the '70s.

I've seen this movie before

So this is what it looks like inside a tornado.

Yep. This looks right to me.

In 1971, when I was 10½ years old,  Hurricane Edith was headed toward Baton Rouge, so my folks decided to keep me home from school. Now Edith wasn't much of a hurricane, but it seemed as good an excuse as any to not bother schlepping your sorry butt to the bus stop and spending the day at school . . . during a hurricane.

To tell you the truth, what we got out of Edith in Louisiana's capital city was more akin to a tropical storm -- no wild tales to amaze your Yankee friends with. The morning of Sept. 16, 1971 was starting to look like a complete kid hurricane-adventure bust. Hell, my old man was even at work at the Enjay Chemical plant.

For a real storm, they batten down the hatches on those suckers. Now who was going to run the camp stove, huh? In the Gret Stet, a hurricane is no excuse not to cook.

So everything was looking OK, which meant, to a kid, that it wasn't OK at all. Thunderstorms . . . meh. The most exciting thing was the street was flooded, and the water came halfway to the house.

Then something happened.

MY MOM was on the phone with my grandma, I think, when the sky went as black as night. I'd never seen anything like that before.

"Mama! Look at how black the clouds are!" I recall saying, just before all hell broke loose. There was a roar like a crapload of freight trains or jet engines, take your pick. There was a swirling whitish, grayish cloud -- pea soup doing the St. Vitus Dance -- out of which leaves, shingles, pink Fiberglas insulation . . . you name it . . . would emerge, stick to the front jalousie windows for a second or two, then blow away.

I was looking out the windows the whole time, transfixed. My mother was crying hysterically to Jesus. There were no tornado sirens in Baton Rouge, and we had no warning until the tornado announced itself.

Apart from watching the maelstrom, I was trying to calm Mama down. The thought did briefly occur to me that we might die.

Then . . . quiet.

THEN THE RADIO, which was tuned to WLCS, erupted with "(Whoop! Whoop! Whoop!) BULLETIN! BULLETIN! BULLETIN! (Whoop! Whoop! Whoop!) BULLETIN! BULLETIN! BULLETIN! (Whoop! Whoop! Whoop!)" It was a "tornado alert."

Thanks for the heads-up, y'all.

Surveying outside the house, the hanging address placard had blown off its chains and was out in the yard. The façade of the house was tar papered with green leaves, and Fiberglas was all over the place.

The street and the front yard were bone dry. Later, we'd hear that some houses the next street over were missing their roofs. And a shopping center and some apartments less than a mile away were all torn up.

The State-Times that afternoon said a "small tornado or tornadoes skipped across the Sherwood Forest area." The official weather records put it down as an F-3 -- not exactly "small."

To me, the Tornado From Edith was a marker -- a dividing line. You had life before the thing, and then life after it.

In life after Edith, hurricanes weren't "fun" adventures. They were damn serious business, and those of us who'd been on the business end of one -- or the twisters they spawn -- stood ready to deck any idiot who thought they weren't.

I've seen things. Look at the video, and you'll see what I saw that day.

You know things are bad when. . . .

From The Advocate in Baton Rouge, La.:

A cavalcade of 28 black and white hearses rolled through Baton Rouge on Sunday as the mostly local group of funeral directors made a statement to residents about the pervasive violence in the city.

Charles Muse, president of the Baton Rouge Funeral Directors and Morticians Association, said he helped to organize the “Stop the Violence and Live” motorcade because he’s tired of the violence.

“There’s so much violence now and we are trying to show the public that we are concerned about the violence going on,” Muse said. “We’re looking down in the caskets on too many young people that are being gunned down.”

The hour-long motorcade, sponsored by Muse’s organization, began at Mount Pilgrim Baptist Church on Scenic Highway at 2 p.m.

Visitors to the church were greeted with a large sign in front that said, “Put down the gun and pick up a Bible” upon entering the parking lot.

The procession took a circuitous route through the northern part of the city as well as downtown before heading to Shiloh Missionary Baptist Church on Robinson Sr. Drive where the procession ended.

(snip)

Jonathan Rose Sr., owner and general manager of Desselle Funeral Home, said he would be happy to change jobs.

“If … the young people would find a way to stop killing one another, and I had to find a new job, I would be fine with that,” Rose said.

3 Chords & the Truth: Wide awake . . . ish

This Looney Tunes is lagniappe. You're welcome.

I don't sleep so you can stay awake.

I have no idea what I just said here. I mean that I don't sleep so each week's 3 Chords & the Truth won't fall asleep . . . uh, put you to sleebh.

Sleep.

The keybirtod os loojinf kinfa blurty. Blurdy.

Blurry.

What did you say your name was again?

OK . . . what did I say my name was again?

LIsstdn, aal I knowe is that this week's ebisodbe of the Big Show kicbks bubtt. You willm not falss azsleep during it -- ths sis because I forgo sleep to put together an exceptional music podcasty proddcut.

Product.

In fgact, you will marvel. You will be enraptured. You will even snap your fingers.

You will keep comming banck for more 3 Chords & the Truth. Now let ypour Mighty Favog take a little nap.

IT'S 3 Chords & the Truth, y'all. Be there. Aloha.

(thud)

Alex Jones explains it all

To the best of the non-whack-job world's knowledge, the United States does not have a "weather weapon" it uses to attack unsuspecting cities with killer tornadoes.

I'm fairly certain, however, that the federal gummint has a "bat-sh*t-crazy weapon" it apparently has been testing on unsuspecting conspiracy theorists. Seems to work well. Still, I wish radio could return to more civilized times, when quack doctors sold audiences more useful fare . . . like goat-gland miracle cures.

Hell, televised

Even hours after the fact and hundreds of miles distant, this footage from KFOR television's live coverage of Monday's tornado catastrophe is likely to induce self-soiling. 

Lord, have mercy. God help Oklahoma.

What hath nature wrought?

Moore, Okla., May 20, 2013

 Hiroshima, Japan, Aug. 6, 1945

What is an EF-4 or EF-5 tornado like? Basically, it's like the blast wave from a Hiroshima bomb, just without the fireball.

Only man would seek to harness -- and now, with the hydrogen bomb, top -- the sheer destructive power of weather at its worst. You would think that dealing with the terrible wrath of nature would be enough of a burden without worrying about the terrible wrath of nuclear physics coupled with itchy trigger fingers.

That, however, is not how fallen humanity rolls. We can always make things worse.

I SUPPOSE this is why I am Catholic. Catholicism understands that the natural state of mankind is tragedy, and that we all inhabit a valley of tears. Thus, this prayer -- the Hail, Holy Queen -- usually recited at the end of the rosary:

Hail, holy Queen, Mother of Mercy,
our life, our sweetness and our hope.
To thee do we cry, poor banished children of Eve;
to thee do we send up our sighs,
mourning and weeping in this valley of tears.
Turn then, most gracious advocate,
thine eyes of mercy toward us;
and after this our exile,
show unto us the blessed fruit of thy womb, Jesus.
O clement, O loving, O sweet Virgin Mary.
℣ Pray for us O holy Mother of God,
℟ that we may be made worthy of the promises of Christ.

EVE ATE the apple. Adam did, too, and everything went to hell. This is what we'll deal with until kingdom come, and whatever we do to bring light amid the darkness is not only lagniappe, but victory.

3 Chords & the Truth: I'm not jivin' you

Well, maybe I am.

Then again, I put in a lot of time, blood, sweat and tears into production of this here show, this 3 Chords & the Truth thingamajig, so why shouldn't I jive you if I feel like it?

So I hope you enjoy the 90-minute program I've prepared this week on Tibetan throat singing and "the romantic zither" of Ruth Welcome. Naaaaaw . . . I'm just jivin' you!

See, there you go.

THAT'S CORRECT, after putting in the work and summoning the creativity necessary to conjure up each new episode of the Big Show -- and let's not even think of the Herculean effort that is saying something pithily original about the program every week, week after week, month after month, year after year -- I reserve the right to mess with your mind.

The show is free on the Internets but, no, there is no free lunch. Particularly since the "sequester"  went into effect in Washington. So here's the deal: You get the best in freeform musical programming; I get to screw with your head.

Sound fair? Who cares?

YOU SEE, that Ruth Welcome album, The Romantic Zither, is on the shelf at the local Goodwill, and I am not afraid to pay the 99 cents.

Naaaaaw . . . I'm just jivin' you!

Or am I? Listen to the show and find out.

 It's 3 Chords & the Truth, y'all. Be there. Aloha.