Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Saturday, June 08, 2019

3 Chords & the Truth: Night trippin'


The Doctor is dead. Long live the Doctor.

This week on 3 Chords & the Truth, we'll be night trippin' in honor of Dr. John, the Night Tripper. If you ask me, that's absotively mos' scocious.

An' dat's all I got to say about dem tunes. Y'all just listen to the Big Show, and then say hey to yo' mama and them.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Friday, June 07, 2019

Turning working girls into pretty women is our bidness


Baton Rouge: June 6, 1974.

The decision is made that if you cannot do anything about working girls downtown, you at least can turn them into pretty women.

Either that, or my hometown was the epicenter of unintentionally hilarious advertising during my youth.

Saturday, June 01, 2019

3 Chords & the Truth: No, it's not your device


You're going to hear some things on the Big Show.

Rest assured, there's nothing wrong with your smartphone, computer, Internet radio, tablet or hi-fi apparatus. No, it's us.

I mean that in a good way.

You see, 3 Chords & the Truth is built to surprise, shock and stun.

I mean that in a good way.

SO, WHEN your mind gets blown -- as it is likely to be at least once during this edition (actually, every edition) of the Big Show -- you're not losing your mind, and there's not a solitary thing wrong with your preferred means of accessing podcasts. It's not you; it's us.

I mean that in the absolute best way.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Friday, May 31, 2019

How to create middle-age stranglers

May 30, 1966.

Buddhist monks were setting themselves alight as the war in Vietnam intensified apace. Surveyor 1 headed for the first soft lunar landing of an unmanned American spacecraft. The Klan was being the Klan in Denham Springs, La. -- which meant that Denham Springs was just being Denham Springs.

And "A WOWIE ZOWIE ZING-A-LING SWING-A-LING THING" had just hit Baton Rouge. The Teen-Age Rattler apparently was "the new fun sensation sweeping the nation."

The reaction to this, no doubt, from every person old enough in 1966 to have spawned a teenager was "Oh, joy." Note the lack of an exclamation point.

THE TEEN-AGE RATTLER was billed as being some sort of bad-complexioned, ill-tempered, bastard child of a hula hoop and maracas.

The "bad-complexioned, ill-tempered and bastard child" parts of the description are solely mine.

I gotta tell you that, as a 5-year-old kid in Baton Rouge on Memorial Day 1966, I would have loved this shit. My parents, not so much.

BUT WAIT! THERE'S MORE!

For just a measly extra buck, you could buy a 45 single of the original Teen-Age Rattler song, "as recorded by the sensational Happy Four quartet." As opposed to the sensational Happy Four septet.
Considering that you could go down to the TG&Y dime store and buy a hot-off-the-record-press copy of the Beatles' "Paperback Writer" for something like six bits, I can't see the Happy Four's rattlin' wreck of a hack promotional song as much of a bargain.
THEN AGAIN, this is the 58-year-old me talking and not the 5-year-old me talking. On the other hand, the 5-year-old me had his share of Beatles' records. Until July 1966, that is.
July was the month John Lennon's "we're more popular than Jesus" interview hit the States, and Mama busted up my Beatles records. It was Louisiana; she was far from alone. Apparently, cracking up commie records from Limey purveyors of beatnik music was less inconvenient than actually attending worship services.

Not that I'm still bitter or shit.

BUT BACK to May 1966 and the Teen-Age Rattler.

At the time, the Teen-Age Rattler made no impression on the pre-kindergarten me whatsoever. As a matter of fact, I'd never heard of the things until . . . well . . . today.

My best guess is that the "Rattle in the morning . . . rattle at night . . . rattle anytime . . . it's dynamite!" sensation was a sensation in the same vein Donald Trump is sentient -- hardly.

After all, there DID come to be a Generation X. That could not have happened had the "greatest generation" quite understandably been driven to cut short the rattling lives of their rattling teen offspring.

Now let us speak no more of this. We wouldn't want to give rogue youth social-media "influencers" any ideas.

Friday, May 24, 2019

3 Chords & the Truth: Smart sets for the Smart Set


The Big Show is not your average music program.

That's because you're not your average listener. You're part of the Smart Set, and you deserve smart sets. And that you get every week on 3 Chords & the Truth.

This week is no exception.

Aannnnnd . . . apparently I'm supposed to say more here, even when that seems so very unnecessary. Well . . . um . . . so . . . I . . . .

Nope, I got nothin'. Everything that needs to be said, I have said.

So, then. All that's left is this:

It's 3 Chords & the Truth, y'all. Be there. Aloha.










Saturday, May 18, 2019

3 Chords & the Truth: A Dacron state of mind


Call me Dacron.

Dacron. Dacron Polyester.

The Big Show this week is in a Dacron state of mind. Very double-knit. Give me some Boone's Farm, and I might get triple-knit to the wind.

That's pretty much where your Mighty Favog -- and 3 Chords & the Truth -- happen to be this week. Stuck in the 1970s. Actually, in retrospect, that's not such an awful place to be.

Especially musically.

HERE'S THE thing: It occurred to me the other day that next week, specifically May 23, marks the 40th anniversary of my graduation from Baton Rouge Magnet High School. And as you'll be able to tell from the show, my mind is still 18.

My body, not so much.

But, damn, the music is so good. Thank you Young Favog.

You're quite welcome, Old Fart Favog.

Now cue the nostalgia . . . along with the usual eclecticism.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

Friday, May 10, 2019

3 Chords & the Truth: An unapologetic blot


The Big Show is an unapologetic blot on the face of mindless musical conformity.

Do now what you will with that. I don't care.

3 Chords & the Truth is all about the music, exquisite taste and creative programming . . . not dumb preconceptions from the Usual Suspects. And boy, howdy, is this edition of the program an example of that.

You betcha, pally.

That is all. My throat hurts, and my typing fingers are sympathizing.

It's . . . well, you know what it is. Be there. Aloha.


Saturday, April 27, 2019

3 Chords & the Truth: Is this thing (cough) on?


This edition of 3 Chords & the Truth is brought to you by a 60-something-year-old RCA KN-1A pressure microphone . . . and the croaking, hacking crud.

Trust me, the music on this week's edition of the Big Show sounds better than I do. It ain't even close because, of course, the music on the program always sounds great.

And a host who sounds like he's 85 going on eternity at least should benefit from the vintage "golden age of radio" warmth of a cool, old microphone.

Yes, it all started at a 20-watt FM station in Baton Rouge, La. . . .

I KNOW, I know. Knock it off, Ted Baxter!

And stop the radio-gear geekery while you're at it.

Message heard. Now about the music. . . .

Well, we have a little of everything on this 3 Chords & the Truth, spanning much of the 20th and a little of the 21st centuries. That includes a jazz band of future legends led by a dude playing a comb.

We also get our tie dye on, then jam with the Night Tripper a bit later on the show. And we got 78s. More than our share of 78s.

And that's about it. I need to go hack up a lung now.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Saturday, April 13, 2019

3 Chords & the Truth: Chasing electrons under the covers


If you're asking me what the hell I mean about "chasing electrons under the covers," you're asking the wrong sleep-deprived guy.

You have your electrons, and you have your covers. There you go. There may be chasing involved, though I'm unsure how you find and catch the exact ones you're seeking.

Thus, my friend, is the central mystery of 3 Chords & the Truth, where playing great music means never having to say . . . things that make any damned sense.

We do, however, have a set of mighty fine cover songs on the program this week, which is as close as we come to being comprehensible right now. And I have to tell you, there is nothing -- nothing -- more 1972 than Steve Lawrence covering Bobby Sherman . . . or Cass Elliott if that's how one prefers to roll.

Are we there yet?

Well, we are now.

It's the Big Show, pally. Be there. Aloha.


Friday, April 05, 2019

3 Chords & the Truth: Ghost tunes for mellow moods


My hobby is dead people's music.

OK, maybe not all of them are dead. Some just have moved into nursing homes or senior apartments.

And, to be fair, some of the music I fixate upon probably was their kids', left decades ago at Mom and Dad's place. But what we're talking about today definitely was Mom and Dad's music . . . which, alas, they couldn't take with them. Wherever.

A fair amount of what you hear on 3 Chords & the Truth falls into that category -- especially on this episode. After all, when there's only two kinds of music in the world -- good and bad, and the bad, you don't mess with -- you tend to mix and match.

A lot.

BUT GRANDPA'S LOSS is your gain on the Big Show. My parents' generation, as it turns out, had much better taste than I gave it credit for four decades ago. Once again, the old folks' have the last laugh, even if it might be from the Great Beyond.

I've been grabbing music -- much of it long out of print -- at estate sales for a long time now. At first, the main attraction of the "grown-up music" from back when I wasn't yet one was one of sheer irony. It was a hoot. Turning the tables on oneself, and one's misspent youth, for kicks and giggles.

The other attraction of "the velvet sounds" was that, back in the day, it was actually owned by grown-ups. Grown-ups took care of their records, generally. Their kids . . . my generation . . . didn't, due to being teenagers, who are well-known idiots. (I have long, very personal experience with this from four decades and change ago.)

Thus, when I find "my" music at estate sales, good luck finding good rock LPs and 45s that haven't been beat to hell. So you grab Mom and Dad's stuff that hasn't.

AND THE funny thing is, well, it's not bad. Actually, it's damned good. The "elevator music" of one's youth, it seems, has been sullied by both your youthful prejudice and its (shall we say) leaden presentation on the radio back in the day.

Let's just say some of those easy-listening FM stations may have developed rigor mortis decades before their listeners did. That was a damn shame.

So here we go on this edition of the Big Show, which once again sees us in something of a mood. We're mixing and matching and re-contextualizing that at which we scoffed, snot-nosed punks that we used to be.

Now sit back, tune in, turn on and open your musical mind. And if you can't manage to do that . . . get the hell off my lawn.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Friday, March 29, 2019

Wednesday, March 27, 2019

Life . . . passing by at 33⅓ RPM

Sixteen springs and sixteen summers gone now
Cartwheels turn to car wheels through the town
And they tell him,
Take your time, it won't be long now
Till you drag your feet to slow the circles down
And the seasons they go round and round
And the painted ponies go up and down
We're captive on the carousel of time
We can't return we can only look behind
From where we came
And go round and round and round
In the circle game
-- Joni Mitchell

Don't it always seem to go, you don't know what you got till you've gone. Homer's sold you LPs, and you took home somebody's life.

Me, I thought it was just an exceptionally eclectic bit of birthday shopping at the Old Market record store -- everything from Oingo Boingo to Paul Mauriat, with some Louis Prima and Keely Smith in between. Oh . . . and a 1968 album by The Vogues.

Just a while ago, I was taking the old record out of the old jacket, and out fell a piece of somebody's life, a picture of a pretty young girl. Maybe a high school picture, maybe just the Kodak paper evidence of splurging on a trip to the photographer's studio.

I do know this, though. It looks like my long-lost, teenage journey through the last half of the 1970s. I remember that hair, and that blouse rings a bell. Definitely the last half of, if not the Age of Aquarius, certainly the Age of Dacron Polyester.
A 40-YEAR-OLD portrait stuck inside a 50-year-old LP for safekeeping. And then somebody sold the hiding place to the record store, kind of like the kinfolk giving Goodwill the mattress that hid Grandpa's life savings.

The mattress full of Benjamins is just sprung springs, spent stuffing and some clandestine cash. This picture right here, though -- that's somebody's youth. Somebody's lost youth that's been gone about the same number of years as mine.

I remember that youth. Not as well as I once did but, like the flipped curls and summer blouse of a beautiful young woman, it rings a bell.

Who is she? Where is she now?

Have, for her, the years between Jimmy Carter and Donald Trump been as long and strange a trip as they have for . . . well . . . me? How many joys and how many tragedies has she counted off between the vast plain of a life yet to come and the bittersweet reflections in the rear-view mirror as we of a certain age cruise toward eternity?

Regrets, I've had a few. I hope that young woman -- the one forever gazing toward a Kodachrome future that now lies largely in the past -- has had fewer.

Once, like the song on that Vogues album, she was somebody's special angel. I hope she still is.

Tuesday, March 26, 2019

Does it get any more 1960s than this?

Does it get any more '60s than this 1967 Paul Mauriat LP cover? Inquiring minds, etc., and so on.

My gut reaction is probably not . . . which opens up all kinds of possibilities, being that this is an easy-listening album, not to mention visions of middle-aged Hef wannabes sporting ascots and wildly age-inappropriate garb. Which, of course, argues strongly for this being the most '60s thing ever.

On the other hand, I was 6, my parents had not progressed past 1955, and they made me get a crew cut. Complete with Butch wax.

So my opinion on this might be completely worthless. Alas.

Saturday, March 23, 2019

3 Chords & the Truth: #NebraskaStrong

Dear World,

Here in Nebraska, after the flood, we're down. But we're not out.

In fact, we're #NebraskaStrong. And we shall, as W.H. Auden wrote, "stagger onward rejoicing."

Consider this edition of 3 Chords & the Truth one hell of a stagger. Rejoicing. With the music.

We go on.

We go onward.

Rejoicing.

It's the Big Show, y'all. Be there. Aloha.

Wednesday, March 20, 2019

How did they sleep?

We should have seen the end coming a half century ago.
It was as plain as a patchwork plague, courtesy of your haberdasher from hell. Which in this case was the 1969 Sears Wish Book.
Not to put too fine a point on it, but Holy Hash Pipe, Batman!
One thing never changes, however -- copy editors are always required but never in adequate supply. I'm reasonably certain that the headline above the Red Menace display at left should have read "Family Nightmare."

Monday, March 18, 2019

Nebraska. Sunday.

Nebraska State Patrol
I think this photo taken by the Nebraska State Patrol near Columbus pretty much sums up the suffering of my state these past few days.

It is not yet done. The Missouri River continues to rise to historic levels just south of Omaha. Fremont, Neb., is a virtual island. You could make the 30-minute trip there from Omaha this afternoon -- finally -- in just under 3 hours, if you knew which back roads were dry and had a police escort.
That's how a convoy of food and fuel made it in tonight. Before that, people and relief supplies were being ferried in from Omaha by volunteer pilots.
From north-central Nebraska to the Missouri River bottom land in the far southeast, people have lost everything and small towns have been all but scoured from the fertile plains. Across the region, at least two are dead and several more missing.
Its well fields swallowed by the Platte River, the city of Lincoln has mandated restrictions on water usage. We haven't even started talking about how bad the damage to agriculture is.
YET, IT'S just been the past day or so that the national media has acknowledged that something might be catastrophically wrong in "flyover country." It's not the first time we've been ignored by the "coastal elites," many of whom seem to think cattle roam the streets of Omaha and Conestoga wagons still rumble down the Oregon Trail.

We're all rubes to them. Yet they wonder why so many in these forgotten lands might vote for such a monster as Donald Trump.
Well, I wouldn't -- and didn't -- vote for the political equivalent of the Ebola virus. Many folks I know wouldn't, and didn't. Of course, it's perfectly clear to these same learned and oh-so-sophisticated folks why people in far-off lands might blow themselves up on crowded far-away streets.
Perhaps "Fuck you," is a message most clearly read from a great distance.

Saturday, March 16, 2019

3 Chords & the Truth: The fault, dear Brutus. . . .



Sometimes, amid the exceptional music, we also have to acknowledge the societal elephants in the room here on the Big Show.

This week, we have some elephants we cannot ignore. It's been an ugly week, made that way by ugly people and our ugly society.

And for that, the fault, dear Brutus, is not in the stars . . . or in the Mexicans or the Muslims. It lies within the heart of our sick "Western civilization" -- the one white nationalists (and America's white-nationalist president) keep telling us is about to be overrun by those who are a darker shade than pale.

As for me and 3 Chords & the Truth, we call bullshit. It had to be done, though I usually am loath to go all Howard Beale on you and take time away from tasty tunes.

THAT SAID, we do have our usual compliment of great music on the program, eclectically presented. I think you'll find it mighty nice.

I go on during the show -- at least for a bit -- so I shall not do it here . . . though I did reiterate it in a blog post a little bit ago. So to the music we go.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


The suicide blames everyone but himself


This week on 3 Chords & the Truth, the first song is ‘A’ Train’s “Time Stops.” Interesting title . . . if only it did stop.

If only we could stop time long enough to figure out how to put the brakes on this runaway train that no doubt will end in our self-destruction.

Our self-destruction. The ongoing self-destruction of whatever we like to think of as “Western civilization” in our present age of everything falling apart.
 

You’ve seen the news — our president going to the wall for his border wall. Our president threatening his political opponent with violence by what he sees as his military and law enforcement . . . and his motorcycle gang. The massacre of Muslims at prayer on the other side of the world.

We got problems. But any problem we have, and by “we” I mean white folk like myself, cannot be blamed on an “invasion” of brown-skinned people across the southern border of the United States or by Muslim immigration.


If western culture, such as it is, is being subsumed by other cultures, and if those of European stock are being “replaced,” so to speak, by “invaders” whose skin is too brown for the tastes of some — it is because “Westerners” gave up on their culture and their future long ago. They not only quit having children, but also quit building up social capital and believing in the concept of commonweal.

If you don’t know what that is, look it up. You’re already online, Google it.

My weekly struggle with doing a music show that’s informed by what’s going on around us is not to be inundated by it to the point of being tendentious . . . or steeping all of life in partisan ideology. It comes down to deciding which elephants in the room to engage with or blow by.

But the elephant in the room this week is our impending ruin, thanks to our own prejudice, spite and self-pity. The elephant in the room every damn week is the demagogues we put in high places and how every damn day they give license to the greater demons of our fallen nature.

Thursday in this country — Friday in New Zealand — a white-supremacist spouting off about outsiders and “invaders” and the overwhelming of Western civilization by the unwashed hordes went on a shooting spree in Christchurch. Forty-nine Muslim worshipers were gunned down as they prayed in their houses of worship.



MUCH OF the rhetoric the gunman posted in an online manifesto was virtually identical to that of the president of the United States — the one as arguing for building a wall on the Mexican border and banning Muslim immigration to this country. The terrorist in New Zealand wasn’t the first to rail against invaders and “animals” — Donald Trump beat him to it.
 

Trump likes to demonize. He likes to put dehumanizing language and memes out there like armies sow the battlefield with land mines — you don’t know who is going to be blown up, but you damn well know somebody will eventually.

Let’s get our mind around this thing: The elected president of the United States — the former great hope for democracy and liberty in this world — gleefully and constantly eggs on the hateful and the unstable, both here and abroad, to turn their wrath on The Other as a means of aggrandizing himself and augmenting his political power.

Because of what he says and does, people undoubtedly have died. He has taken what used to be on the far margins of Western civilization and brought it into the mainstream. He has given courage to cowards and agency to aggrieved racists and bigots.

Get familiar with the term stochastic terrorism. It’s the governing ethos of our federal government . . . as represented by the 45th president of the United States.

Remember Anwar al-Awlaki? His primary job with al-Qaida was propagandizing ordinary Muslims into a radical state . . . and then they might join al-Qaida, or they might just blow up stuff and kill people as freelancers. It didn’t much matter to him, and he didn’t much know who would do what or where.

But he pretty much knew somebody would do something.

He stopped doing that one day in Yemen, when an American drone shot a few Hellfire missiles up his rear end. A few years later, Americans elected their own Anwar al-Awlaki as president.

Who swore to us Friday that right-wing terrorism wasn’t a big problem. Well, at least not for him.

Well, may God have mercy on us all, because it will not end well for a people that refuses to recognize the simple fact that God made us all and loves us just the same.

In Galatians, the apostle Paul told us:

“There is neither Jew nor Greek, there is neither slave nor free person, there is not male and female; for you are all one in Christ Jesus. And if you belong to Christ, then you are Abraham’s descendant, heirs according to the promise.”
WE GOOD Christians — at least the ones so ready to beat brown people to death with their Trump-autographed Bibles — forget that those slaughtered Muslims in Christchurch knew a little about Abraham themselves. As did the slaughtered Jews in Pittsburgh last year.

As do the Latino Catholics at our southern border.

Perhaps the best all of us who the president has again threatened with violence by "his" cops, "his" military and "his" Bikers for Trump can hope for is that this present darkness is merely the prelude to dawn.

Saturday, March 09, 2019

3 Chords & the Truth: The endless-winter blues


Donald Trump is autographing bibles in Alabama.

Well, of course he is. Hell has been frozen over for some time now -- and so has Omaha, by God, Nebraska.

Pardon us at 3 Chords & the Truth for being sick and tired of this crap. Winter. Ecclesiastical Lent piled on top of zeitgeist Lent. Winter. A world gone mad. Winter. . . .

You get the drift. Both kinds.

This week on the Big Show, we're muddling through and making the best of things. It's all anyone can do.

YEP, we got the good music, we're hanging onto it tight, and that will have to suffice.

I regret that my Seasonal Affective Disorder prevents me from elucidating further. My bad.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Saturday, March 02, 2019

3 Chords & the Truth: It's the Mardi Gras loco


Throw me somethin', Mister!

Preferably, my sanity.

I don't know about you, but right now I'm in need of a weapon of mass distraction. And here comes Mardi Gras to fill the bill.

We at the Big Show intend to latch on and run with it. After the daily assaults on our national sanity -- and grasp on reality -- we need a little blowout right now. We need to let it all hang out . . . whatever your favored conception of "it" might be.

This extra long, extra good edition of 3 Chords & the Truth is our attempt at that -- a last blowout before Lent, when we atone for our myriad sins. It's a lot like the last two years, only ecclesiastical.

And it only lasts till Easter.

SO EAT, drink and be merry, children, for Wednesday we fast.

So listen to the music and party, mes amis, for tomorrow is another day. Which probably will be as bat-shit crazy as yesterday, for we've been doing some national penance for a while now.

Grab some joy while -- and where -- you can.

It's 3 Chords & the Truth, y'all. Be there. Aloha.