Friday, May 31, 2019

How to create middle-age stranglers

May 30, 1966.

Buddhist monks were setting themselves alight as the war in Vietnam intensified apace. Surveyor 1 headed for the first soft lunar landing of an unmanned American spacecraft. The Klan was being the Klan in Denham Springs, La. -- which meant that Denham Springs was just being Denham Springs.

And "A WOWIE ZOWIE ZING-A-LING SWING-A-LING THING" had just hit Baton Rouge. The Teen-Age Rattler apparently was "the new fun sensation sweeping the nation."

The reaction to this, no doubt, from every person old enough in 1966 to have spawned a teenager was "Oh, joy." Note the lack of an exclamation point.

THE TEEN-AGE RATTLER was billed as being some sort of bad-complexioned, ill-tempered, bastard child of a hula hoop and maracas.

The "bad-complexioned, ill-tempered and bastard child" parts of the description are solely mine.

I gotta tell you that, as a 5-year-old kid in Baton Rouge on Memorial Day 1966, I would have loved this shit. My parents, not so much.

BUT WAIT! THERE'S MORE!

For just a measly extra buck, you could buy a 45 single of the original Teen-Age Rattler song, "as recorded by the sensational Happy Four quartet." As opposed to the sensational Happy Four septet.
Considering that you could go down to the TG&Y dime store and buy a hot-off-the-record-press copy of the Beatles' "Paperback Writer" for something like six bits, I can't see the Happy Four's rattlin' wreck of a hack promotional song as much of a bargain.
THEN AGAIN, this is the 58-year-old me talking and not the 5-year-old me talking. On the other hand, the 5-year-old me had his share of Beatles' records. Until July 1966, that is.
July was the month John Lennon's "we're more popular than Jesus" interview hit the States, and Mama busted up my Beatles records. It was Louisiana; she was far from alone. Apparently, cracking up commie records from Limey purveyors of beatnik music was less inconvenient than actually attending worship services.

Not that I'm still bitter or shit.

BUT BACK to May 1966 and the Teen-Age Rattler.

At the time, the Teen-Age Rattler made no impression on the pre-kindergarten me whatsoever. As a matter of fact, I'd never heard of the things until . . . well . . . today.

My best guess is that the "Rattle in the morning . . . rattle at night . . . rattle anytime . . . it's dynamite!" sensation was a sensation in the same vein Donald Trump is sentient -- hardly.

After all, there DID come to be a Generation X. That could not have happened had the "greatest generation" quite understandably been driven to cut short the rattling lives of their rattling teen offspring.

Now let us speak no more of this. We wouldn't want to give rogue youth social-media "influencers" any ideas.

Friday, May 24, 2019

3 Chords & the Truth: Smart sets for the Smart Set


The Big Show is not your average music program.

That's because you're not your average listener. You're part of the Smart Set, and you deserve smart sets. And that you get every week on 3 Chords & the Truth.

This week is no exception.

Aannnnnd . . . apparently I'm supposed to say more here, even when that seems so very unnecessary. Well . . . um . . . so . . . I . . . .

Nope, I got nothin'. Everything that needs to be said, I have said.

So, then. All that's left is this:

It's 3 Chords & the Truth, y'all. Be there. Aloha.










Wednesday, May 22, 2019

Dude sounds like he's on pot


National politics is so dysfunctional, disheartening and -- frankly -- bat-shit crazy that I largely have lost the will to comment on such a shitshow.

Sen. John Kennedy
Which brings me to Louisiana's junior U.S. senator, John Kennedy. And the matter of shit.

There is much that could be said about Kennedy. Most would fall under the category of dysfunctional, disheartening and -- frankly -- bat-shit crazy.

But I will say this: I am a Southerner and there is no way in hell I would vote for any Southern politician who can't keep his metaphors straight.

"Urinate or get off the pot?"  Really? Really?

REALLY???

I am old enough to have used the proverbial pot, which my Louisiana family referred to a a "slop jar." And I well know the choice that we all face in life: Shit or get off the pot.

And Kennedy's mangling of a damned fine metaphor is just too damned much to take. Get it straight, podna, or shut the f*** up.

That is all.

Saturday, May 18, 2019

3 Chords & the Truth: A Dacron state of mind


Call me Dacron.

Dacron. Dacron Polyester.

The Big Show this week is in a Dacron state of mind. Very double-knit. Give me some Boone's Farm, and I might get triple-knit to the wind.

That's pretty much where your Mighty Favog -- and 3 Chords & the Truth -- happen to be this week. Stuck in the 1970s. Actually, in retrospect, that's not such an awful place to be.

Especially musically.

HERE'S THE thing: It occurred to me the other day that next week, specifically May 23, marks the 40th anniversary of my graduation from Baton Rouge Magnet High School. And as you'll be able to tell from the show, my mind is still 18.

My body, not so much.

But, damn, the music is so good. Thank you Young Favog.

You're quite welcome, Old Fart Favog.

Now cue the nostalgia . . . along with the usual eclecticism.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

Friday, May 10, 2019

3 Chords & the Truth: An unapologetic blot


The Big Show is an unapologetic blot on the face of mindless musical conformity.

Do now what you will with that. I don't care.

3 Chords & the Truth is all about the music, exquisite taste and creative programming . . . not dumb preconceptions from the Usual Suspects. And boy, howdy, is this edition of the program an example of that.

You betcha, pally.

That is all. My throat hurts, and my typing fingers are sympathizing.

It's . . . well, you know what it is. Be there. Aloha.


Thursday, May 02, 2019

They get pretty brazen once the holidays are done


Look out the window. See turkeys.

Apparently, that's just how we roll in our neighborhood here in Omaha, by God, Nebraska.

Saturday, April 27, 2019

3 Chords & the Truth: Is this thing (cough) on?


This edition of 3 Chords & the Truth is brought to you by a 60-something-year-old RCA KN-1A pressure microphone . . . and the croaking, hacking crud.

Trust me, the music on this week's edition of the Big Show sounds better than I do. It ain't even close because, of course, the music on the program always sounds great.

And a host who sounds like he's 85 going on eternity at least should benefit from the vintage "golden age of radio" warmth of a cool, old microphone.

Yes, it all started at a 20-watt FM station in Baton Rouge, La. . . .

I KNOW, I know. Knock it off, Ted Baxter!

And stop the radio-gear geekery while you're at it.

Message heard. Now about the music. . . .

Well, we have a little of everything on this 3 Chords & the Truth, spanning much of the 20th and a little of the 21st centuries. That includes a jazz band of future legends led by a dude playing a comb.

We also get our tie dye on, then jam with the Night Tripper a bit later on the show. And we got 78s. More than our share of 78s.

And that's about it. I need to go hack up a lung now.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Friday, April 26, 2019

It's one of those flat states in the middle. . . .


I've lived in Omaha for 31 years now, and I have to tell you that it's news to me that Heidi Heitkamp is my former U.S. senator.

Oh . . . wait. She's not. She was a North Dakota senator until January.

Nebraska . . . North Dakota . . . seed caps, John Deere tractors, unbearable winters, old white rustics who wouldn't know a frappuccino from a woke meme. What's the difference?

Am I right?

I mean, if you've seen one part of Flyover Country -- And, really, why would you want to? -- you've seen it all. And now back to our breaking news . . . a gay Black Lives Matters activist is condemning some shit on one coast or the other.

Am I right, Time mag, mag?

Sorry, but as a proud rube out here on the flown-over Great Plains, my "inclusive" media betters out there in D.C. got me on the rag, rag.

And while they're at it, they can take their insults about the queen and shove them up their royal Timese machine.


News flash! Some of us prairie pigf***ers are familiar with Joan Baez.

YOU HAVE to be a lifelong resident of Flyover Country to get how grating it is to be so insignificant that you can have a story actually get onto the effing Time magazine website, and then onto effing Apple News without anyone effing noticing that Heidi Heitkamp is from effing North Dakota and not effing Nebraska. After all the news coverage about how the red-state Democrat would vote on Brett Kavanaugh's nomination to the Supreme Court after the Me Too furor over his high-school and college "boofing" (and how her no vote likely cost her re-election), how could you not effing know?

One could let it slide as a simple brain fart if it weren't for a lifetime of observing Coastal America being shocked that, for example, Omaha has goddamn paved streets, decent restaurants and broadband Internet connectivity. And that there are no cattle herds wandering down Dodge Street in search of forage.

This actually is an improvement over New Yorkers -- again, for example -- who've been here and point out what a relative backwater it is. Perhaps, but our house payment here might rent a cardboard box over a steam grate there.


What's sad is that folks in these parts actually are, on some level, desperate for the approval of our cosmopolitan "betters" and always have been. We seek validation from those who scarcely know we exist and, with vanishingly few exceptions, we ain't gonna get it.

But that's not the half of the flyover equation. I grew up in Louisiana. No, there were no alligators in my back yard. Yes, we did have indoor plumbing. Many folks can read, write and cipher some.

And you are one Category 5 hurricane in the wrong place from freezing in the dark, America.

LET'S BE honest here. The only damned reason Time magazine gives a good goddamn about former U.S. Sen Heidi Heitkamp of Nebraska . . . North Dakota . . . whatever . . . is that Donald Trump is president of the United States, lots of Forgotten America like Nebraska and Louisiana voted for him, and he's turned out to be a fascist nightmare.

There's nothing like the political equivalent of a global thermonuclear exchange to finally get your attention. Am I right?

Maybe, ultimately, that was the point of his election. After all, the alt-right may be on the upswing, but it's not an Electoral College majority. Plenty of reasonable, decent Americans in Flyover Country were content to throw a bomb into America's entire rigged, classist political and social infrastructure. Oops.

I'm just spitballin' here, but perhaps there was an element of "You can ignore us, but we can kill you" in there as well. Just like the "yellow vests" in France, who largely hail from the forgotten périphérique of the country, flyover folk know who couldn't care less about them -- and they have less and less to lose by blowing the whole damned thing the hell up.

And they also well know the limits of Woke America's inclusivity.

Wednesday, April 24, 2019

King of Kooks, Lord of Losers

The Passion of Steve King (Wikipedia photo)
I'm just gonna leave this right here. Because there is no bottom anymore.
U.S. Rep. Steve King invoked the story of Jesus Christ at a town hall in Cherokee, Iowa, on Tuesday, comparing his experience of being called out for racist remarks in the House of Representatives to Jesus’ trial and crucifixion.

“When I have to step down to the floor of the House of Representatives, and look up at those 400-and-some accusers — you know we just passed through Easter and Christ’s passion — and I have better insight into what He went through for us partly because of that experience,” the Iowa Republican said, referring to the biblical story of Jesus’ trek to Calvary and execution on a cross in Jerusalem.

King told the roughly 30 constituents at the town hall Tuesday that the prayers he has received from others have helped him through the tough time and given him a “certain peace,” the Sioux City Journal reported.

Saturday, April 13, 2019

3 Chords & the Truth: Chasing electrons under the covers


If you're asking me what the hell I mean about "chasing electrons under the covers," you're asking the wrong sleep-deprived guy.

You have your electrons, and you have your covers. There you go. There may be chasing involved, though I'm unsure how you find and catch the exact ones you're seeking.

Thus, my friend, is the central mystery of 3 Chords & the Truth, where playing great music means never having to say . . . things that make any damned sense.

We do, however, have a set of mighty fine cover songs on the program this week, which is as close as we come to being comprehensible right now. And I have to tell you, there is nothing -- nothing -- more 1972 than Steve Lawrence covering Bobby Sherman . . . or Cass Elliott if that's how one prefers to roll.

Are we there yet?

Well, we are now.

It's the Big Show, pally. Be there. Aloha.


Friday, April 05, 2019

3 Chords & the Truth: Ghost tunes for mellow moods


My hobby is dead people's music.

OK, maybe not all of them are dead. Some just have moved into nursing homes or senior apartments.

And, to be fair, some of the music I fixate upon probably was their kids', left decades ago at Mom and Dad's place. But what we're talking about today definitely was Mom and Dad's music . . . which, alas, they couldn't take with them. Wherever.

A fair amount of what you hear on 3 Chords & the Truth falls into that category -- especially on this episode. After all, when there's only two kinds of music in the world -- good and bad, and the bad, you don't mess with -- you tend to mix and match.

A lot.

BUT GRANDPA'S LOSS is your gain on the Big Show. My parents' generation, as it turns out, had much better taste than I gave it credit for four decades ago. Once again, the old folks' have the last laugh, even if it might be from the Great Beyond.

I've been grabbing music -- much of it long out of print -- at estate sales for a long time now. At first, the main attraction of the "grown-up music" from back when I wasn't yet one was one of sheer irony. It was a hoot. Turning the tables on oneself, and one's misspent youth, for kicks and giggles.

The other attraction of "the velvet sounds" was that, back in the day, it was actually owned by grown-ups. Grown-ups took care of their records, generally. Their kids . . . my generation . . . didn't, due to being teenagers, who are well-known idiots. (I have long, very personal experience with this from four decades and change ago.)

Thus, when I find "my" music at estate sales, good luck finding good rock LPs and 45s that haven't been beat to hell. So you grab Mom and Dad's stuff that hasn't.

AND THE funny thing is, well, it's not bad. Actually, it's damned good. The "elevator music" of one's youth, it seems, has been sullied by both your youthful prejudice and its (shall we say) leaden presentation on the radio back in the day.

Let's just say some of those easy-listening FM stations may have developed rigor mortis decades before their listeners did. That was a damn shame.

So here we go on this edition of the Big Show, which once again sees us in something of a mood. We're mixing and matching and re-contextualizing that at which we scoffed, snot-nosed punks that we used to be.

Now sit back, tune in, turn on and open your musical mind. And if you can't manage to do that . . . get the hell off my lawn.

It's 3 Chords & the Truth, y'all. Be there. Aloha.


Destination . . . suffocate, bake or freeze as your blood boils

If 1950s album-cover artists had been in charge of the Space Race (not to mention science education in the Space Age) . . . things would not have ended well.

At all.

This Ames Brothers LP would have driven Dr. Sheldon Cooper mad.

On the other hand, this being a post-factual world, we can say with Trumpian confidence that Ed Ames is the only surviving Ames brother because the sound of lunar windmills gave all his siblings cancer, and they died upon their return to earth.
Bazinga.

Friday, March 29, 2019

Wednesday, March 27, 2019

Life . . . passing by at 33⅓ RPM

Sixteen springs and sixteen summers gone now
Cartwheels turn to car wheels through the town
And they tell him,
Take your time, it won't be long now
Till you drag your feet to slow the circles down
And the seasons they go round and round
And the painted ponies go up and down
We're captive on the carousel of time
We can't return we can only look behind
From where we came
And go round and round and round
In the circle game
-- Joni Mitchell

Don't it always seem to go, you don't know what you got till you've gone. Homer's sold you LPs, and you took home somebody's life.

Me, I thought it was just an exceptionally eclectic bit of birthday shopping at the Old Market record store -- everything from Oingo Boingo to Paul Mauriat, with some Louis Prima and Keely Smith in between. Oh . . . and a 1968 album by The Vogues.

Just a while ago, I was taking the old record out of the old jacket, and out fell a piece of somebody's life, a picture of a pretty young girl. Maybe a high school picture, maybe just the Kodak paper evidence of splurging on a trip to the photographer's studio.

I do know this, though. It looks like my long-lost, teenage journey through the last half of the 1970s. I remember that hair, and that blouse rings a bell. Definitely the last half of, if not the Age of Aquarius, certainly the Age of Dacron Polyester.
A 40-YEAR-OLD portrait stuck inside a 50-year-old LP for safekeeping. And then somebody sold the hiding place to the record store, kind of like the kinfolk giving Goodwill the mattress that hid Grandpa's life savings.

The mattress full of Benjamins is just sprung springs, spent stuffing and some clandestine cash. This picture right here, though -- that's somebody's youth. Somebody's lost youth that's been gone about the same number of years as mine.

I remember that youth. Not as well as I once did but, like the flipped curls and summer blouse of a beautiful young woman, it rings a bell.

Who is she? Where is she now?

Have, for her, the years between Jimmy Carter and Donald Trump been as long and strange a trip as they have for . . . well . . . me? How many joys and how many tragedies has she counted off between the vast plain of a life yet to come and the bittersweet reflections in the rear-view mirror as we of a certain age cruise toward eternity?

Regrets, I've had a few. I hope that young woman -- the one forever gazing toward a Kodachrome future that now lies largely in the past -- has had fewer.

Once, like the song on that Vogues album, she was somebody's special angel. I hope she still is.

Tuesday, March 26, 2019

Does it get any more 1960s than this?

Does it get any more '60s than this 1967 Paul Mauriat LP cover? Inquiring minds, etc., and so on.

My gut reaction is probably not . . . which opens up all kinds of possibilities, being that this is an easy-listening album, not to mention visions of middle-aged Hef wannabes sporting ascots and wildly age-inappropriate garb. Which, of course, argues strongly for this being the most '60s thing ever.

On the other hand, I was 6, my parents had not progressed past 1955, and they made me get a crew cut. Complete with Butch wax.

So my opinion on this might be completely worthless. Alas.

Saturday, March 23, 2019

3 Chords & the Truth: #NebraskaStrong

Dear World,

Here in Nebraska, after the flood, we're down. But we're not out.

In fact, we're #NebraskaStrong. And we shall, as W.H. Auden wrote, "stagger onward rejoicing."

Consider this edition of 3 Chords & the Truth one hell of a stagger. Rejoicing. With the music.

We go on.

We go onward.

Rejoicing.

It's the Big Show, y'all. Be there. Aloha.

Friday, March 22, 2019

Calling Jake and Elwood: The Iowa Nazi edition

Truth in politics?
Rep. Steve King, National Socialist-Iowa, is at it again. No doubt, our national appetite for wallowing in political pig poop is fathomless.

The Washington Post is there with a shovel, as usual.

"We go to a place like New Orleans, and everybody’s looking around saying, ‘Who’s going to help me? Who’s going to help me?’” King said, recounting what he said officials at the Federal Emergency Management Agency, or FEMA, had told him about the relief effort, in which he said he had participated. Yet, he was also one of 11 members of Congress to oppose a bill providing federal aid to Katrina victims in 2005.

In his home state, he said, residents looked after one another without government handouts. Meanwhile, Republican Gov. Kim Reynolds has declared a disaster in more than half of Iowa’s 99 counties because of severe flooding and is seeking a federal declaration that would free up funds from Washington.

“We go to a place like Iowa, and we go see, knock on the door at, say, I make up a name, John’s place, and say, ‘John, you got water in your basement, we can write you a check, we can help you,'" King said. “And John will say, ‘Well, wait a minute, let me get my boots. It’s Joe that needs help. Let’s go down to his place and help him.’”
THE NORMAL human response -- or what one would hope is the normal human response -- to the question "Who's going to help me?" is "I am."

King seems to admit as much by lauding Iowans' willingness to help their neighbors without hesitation. So, I suppose the only thing he finds offensive is that people would ask for help -- particularly from, one supposes, the federal government. Particularly the majority-black population of New Orleans.

Something tells me the right dishonorable white nationalist from Kiron will not be pressing FEMA to withhold aid from those of his constituents affected by flooding on grounds of "We can take care of this shit ourselves." This leaves us with the explanation that's left for what King said Thursday.

Steve King is a racist piece of that in which we've been wallowing since 2016.

Wednesday, March 20, 2019

How did they sleep?

We should have seen the end coming a half century ago.
It was as plain as a patchwork plague, courtesy of your haberdasher from hell. Which in this case was the 1969 Sears Wish Book.
Not to put too fine a point on it, but Holy Hash Pipe, Batman!
One thing never changes, however -- copy editors are always required but never in adequate supply. I'm reasonably certain that the headline above the Red Menace display at left should have read "Family Nightmare."

Monday, March 18, 2019

Omaha. Monday.

Click on map for full size
The trip from downtown Omaha to the town of Valley, in far western Douglas County, usually takes about 40 or 50 minutes, depending on traffic.

Correction. It usually took 40 or so minutes to make the trip across Omaha and across the Elkhorn River to the suburban town. Today, it took a KETV, Channel 7 news crew almost 4 hours in a backroads trek across a fair swath of the dry(ish) parts of northeastern Nebraska.

Then authorities reopened Highway 36, allowing motorists to make it to Valley -- probably in about an hour -- by following a State Patrol guide vehicle on the last leg of the journey.

West Dodge Road at 228th Street (courtesy Douglas County)
THIS IS the new normal. As water recedes on the major westbound routes out of Omaha, we're finding that what was multi-lane highway is now fractured, undermined and occasionally completely washed-away.

Or, as they say in New England,
"Ayah, ya can't get thayah from heayah."