Iowa's state fair is a great state fair

Our State Fair is a great state fair,

Don't miss it, don't even be late!

(Our state fair is great!)

It's dollars to doughnuts at our state fair,

It's the best state fair in the state!

OUR STATE FAIR IS A GREAT STATE FAIR!

IS A GREAT . . .

IS A GREAT . . .

IS A GREAT STATE FAIR, HEY!

Our State Fair is a great state fair,

Don't miss it, don't even be late!

(State fair is great!)

It's dollars to doughnuts at our state fair,

It's the best state fair . . .

in our state!

"State Fair"

-- Richard Rodgers and Oscar Hammerstein II

America in the looking glass

What's the difference between your average Islamic-extremist jihadi and your average American teenager with a gun?

The jihadi, at least, has a reason for killing. I'm not saying a good reason, but at least he has one. For three homegrown poster children for the culture of death, according to Oklahoma cops, not so much.

Because of that, an Australian baseball player out for a Friday jog in Duncan, Okla., is making an unexpected trip back home. In a coffin. Solely because he decided to go for a jog in his American girlfriend's hometown.

And solely because, by chance, three teenagers -- it is alleged --  decided that day was a good day for somebody to die, then happened to spy Chris Lane, catcher for East Central University in Ada, Okla.

It comes after a 16-year-old boy confessed to pulling the trigger and killing Lane, according to police chief Danny Ford.

Chief Ford said the 16-year-old was with two other teens aged 15 and 17 when they killed Lane during a random drive-by shooting in the town of Duncan.

He said the three teenagers had no motive other than to make a name for themselves.

All three are facing the charge of first-degree murder, which carries a maximum sentence of the death penalty.

Chief Ford told 3AW this morning one of the accused has confessed to pulling the trigger, saying he just wanted to kill someone.

"Lately there has been some pretty weak motives, but I don’t know that I’ve had one that they told us they were just going to kill somebody," he said.

He said the three teens were on a "killing spree" after , leaving a chilling message on Facebook.

Peter Lane said his son had left his mark and his death was just so pointless. 

(snip)

Chief Ford said the teens drove to another house to murder a second unrelated victim just hours after shooting Lane in the back and leaving him to die in an upper-class area of Duncan at 2.57pm local time Friday (5.57am Saturday Melbourne time).

"They wanted to be Billy Bob Badasses," Chief Ford said.

"I think they were on a killing spree.

"We would have had more bodies that night if we didn't get them."

On one of the alleged killer's Facebook pages investigators said they found the message: "Bang. Two drops in two hours".

The accused are in custody in Stephens County Jail, awaiting formal murder charges expected on Monday local time.

Earlier, Chief Ford said one of the teens had been co-operating.

"He said, ‘Yeah, we did it but I’m not going to tell you who pulled the trigger’," he said.

One of the alleged murderers was Caucasian, the other two were black, Chief Ford said.

Lane, 22, grew up in Oak Park in Melbourne’s north and was in the US on a sports scholarship.

He was jogging through an area of "high dollar homes" after leaving the home of his American girlfriend, Sarah Harper, when he was followed and shot at the intersection of Country Club Rd and Twilight Beach Rd.

AMERICA'S gun nuts think we could prevent a lot of this kind of thing if only everybody -- or at least enough people --were armed.

What I want them to explain to me, though, is how you defend yourself against being shot in the back, out of the blue. Because that's how we roll in the red, white and blue, every-man-is-an-island incarnation of the culture of death.

Nerve, defined

The headline on NPR's Planet Money blog sums it up so well, it leaves one with little else to say:

Robin Thicke's Song Sounds Like Marvin Gaye. So He's Suing Gaye's Family.

WELL, that about covers it. All I have to add is Robin Thicke's actions here pretty much define "nerve."

In this new age of the barbarian, the future belongs to the plunderer.

3 Chords & the Truth: Simply insane!

 
This show is as crazy as buying a brand-new organ when you live out on a vast sea of prairie grass and not much else. Except for cattle.

Just nuts.

But like a new pump organ on the Plains, the 3 Chords & the Truth musical craziness of the week can be a riot of contrast, color and a lot of fun amid an unending expanse of sameness, world without end. I'd tell you how bat-crap bonkers the third set is on the Big Show this go around, but you wouldn't believe me.

You absolutely wouldn't.

And all the experts of Radioland would snort and tell you it couldn't be done, and if it could, it would be an unholy mess.

BUT WE DID, and it ain't. So there. It's called creativity. Original thinking, as it were. There used to be a lot of it afoot in the music industry -- and on the airwaves -- but today, not so much.

That's why Al Gore had to invent the Internets. So there could be a 3 Chords & the Truth.

Really, today's show is just . . . what does Guy Fieri say on the Food Porn Channel? Right. "Off the hook."

So live a little. Tune in the Big Show right here on this Internet channel.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

Louisianian for 'looks like rain'

Troffaloff.

If you're at least 50ish, lived in Baton Rouge in the 1960s and early '70s and ever watched Tex Carpenter deliver the weather on Channel 9, you either know what that means or you think ol' Tex had an on-air stroke every so often, and then it rained.

Or as my pediatrician once said to my dad when the subject turned away from my fear of needles and toward the weather (and those who forecast it on TV), "What the hell is a 'troffaloff'?"

The answer, taken from my 1969 edition of the Tex to English/English to Tex dictionary (via the Essa Weather Wire Service), is a "trough aloft," otherwise known as a low-pressure area, which oftentimes means "rain."

And that's your TV Weatherfact of the day, discovered in a box uncovered after years unbothered.

The things you find

SHOWN HERE in a high-school journalism scrapbook from 1976, saved by me and then my parents for no discernible reason, is an example of a "society picture with cutline," noted at top, which happened to be of Mr. and Mrs. Miller Williams, shown center, feted in Baton Rouge en route to Rome, where they were to reside for a year at the famed American Academy. With them at the large party in the home of Dr. and Mrs. Hulen B. Williams on Castle Kirk Drive were Mrs. E. B. Williams, left, the mother of Mr. Williams, and Miss Lucinda (Cindy) Williams, daughter of the famed poet, who had won the Prix de Rome awarded by the still-famed American Academy of Arts and Letters. Two years later, Miss Williams would begin her famed recording career, which was not initially feted, but achieved some note in 1988 and then became famed in the early 1990s, when she was feted at the famed Grammy Awards, where she won the award for Best Country Song for "Passionate Kisses." She then released her famed album "Car Wheels on a Gravel Road" in 1998, which was awarded a gold record and for which she was again feted at the Grammy Awards.

Serendipity was feted for my happening to cut out this particular "society picture with cutline" from the famed Sunday Advocate in Baton Rouge some 37 years ago for my journalism assignment. Attending the small party in the Omaha home of Mr. and Mrs. Mighty Favog are Mr. Favog and a bottle of moderately priced bourbon.

Why I'm not the next Jack Germond

The great political reporter -- he hated being called "journalist" -- and columnist Jack Germond has died at 85.

He'd been covering politicians and the messes they made from the 1950s until he retired in 2001, first with Gannett and then the Washington Star and later The Baltimore Sun. He was a fixture on The McLaughlin Group on public TV, got parodied on Saturday Night Live and wrote a bunch of books.

Not bad for a member of the Baton Rouge High Class of 1945.

I'm a member of the Baton Rouge High Class of 1979, but I am not now nor ever will be as accomplished as the late Mr. Germond. I do like martinis as much as he did, though.

THE REASON why I'll never be as accomplished at, well, anything as Jack Germond was at committing journalism . . . er, reporting is that I was committing smart-assed crap like the drawing above when I ought to have been studying or paying more attention in class. I found this, as I found all kinds of other stuff that has been or soon will be featured in this cyberspace, when cleaning out the home of my misspent youth in Baton Rouge.

The above drawing, however, may have been a little clue to my later avocation. In other words . . . get the net!

I suspect my mom never threw it out because she wanted evidence to back up "I told you so!"

Rest in peace, Jack. Your stellar legacy will face no competition from this fellow Bulldog alum.

3 Chords & the Truth: Penny Park

Of Omaha indie artists of a certain age, Conor Oberst of Bright Eyes fame is the angst-filled young troubadour who escaped the shackles of the central Plains to become the toast of music lovers of a certain conceit.

He is the next Next Dylan. It was on the cover of the Rolling Stone or something.

Matt Whipkey -- of Anonymous American and Whipkey Three note locally -- still works his day job teaching guitar at Dietze Music. Playing gigs, recording albums and releasing them himself, he does on his own time.

And dime.

"Working Class Hero is something to be."

But here's the thing: Oberst, the next Next Dylan, might -- just might -- someday write a song as damned good as "Sunshine" if one day he gets over himself. Or gets a hold of himself -- one or the other.

She wants the sunshine, summer 1989,
Oh, not the half life, a second husband's second wife

"SUNSHINE" is the last song on Whipkey's new double-album, a pink-and-turquoise vinyl masterpiece, Penny Park: Omaha, NE: Summer 1989. And we're featuring that and "Waterslide" -- the Alpha and the Omega of Penny Park -- on 3 Chords & the Truth this week.

Penny Park is the mysterious beauty every 17-year-old lusted after (and was intimidated by). The story, and the LP, begins in the summer of 1989 at Omaha's historic Peony Park amid the Tilt-a-Whirl, the Galaxy, the Royal Grove and the massive swimming pool.

The story ends years later, with a drunken Penny crying in her car in the supermarket parking lot where Peony Park once stood. Life has been no thrill ride, and Cass Street at 78th has become just another boulevard of broken dreams.

She was the sunshine,
She was the sun

NOT MANY songs move me to the point of tears. This is one. We all have regrets, and none of us get out of this world unscathed.

Sometimes, though, a good record can help. Listen to this week's Big Show, and then go buy a double shot of memories, emotion and perspective. The 17-year-old within will be glad you did.

And did I mention you should listen to 3 Chords & the Truth? I did? Good. My memory's not what it was 35 years ago . . . or what it was in 1989, either.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

A helicopter's-eye view of Nebraska

Just because people say something -- a lot -- that doesn't make it so.

Recently,  cinematographers took to the skies over our piece of Flyover Country to show folks exactly how flat and boring is Nebraska -- not. So, if you're someone who always thought the state tree was a telephone pole, prepare for your world to be rocked in three . . . two . . . one. . . .

Action!

Because he's good people

I'll bet Rusty Domingue is sooooo pissed off right now.

All the Louisiana State linebacker did back in 1976 was stab a dude in the chest -- just once -- and he got six months in the pen and never played for the Tigers again. Present Tiger running back Jeremy Hill forced a 14-year-old girl to perform a sex act on him then, while on probation for that, sucker punched a guy at a bar.

The outcome? He got a "stern warning" from the judge and reinstated to the team by LSU Coach Les Miles. Because Hill's such a good guy.

“He’s not a guy that has had constant bad behavior,” Miles said of Hill. “Obviously he’s had a lack of judgment and bad behavior in these two instances. But the reality is we all see him around here as a good person.”

YEAH, and John Wilkes Booth was a mensch except for that one instance of bad behavior and lack of judgment. If Hill had just blocked a field goal attempt by No. 1 Nebraska to preserve a 6-6 tie just like the star-crossed Domingue, the judge may have sentenced the Tiger sophomore to 60 minutes with an underage girl.

Miles’ decision to reinstate the sophomore running back came early Monday evening and ends a three-month exile for Hill, who was suspended from the team after he punched a fellow student outside a Tigerland bar in April. He pleaded guilty to simple battery last month but faced up to six months in jail for violating probation in a 2012 case in which he pleaded guilty as a high school senior to carnal knowledge of a minor.

Hill returned to practice Monday afternoon, the first day of preseason workouts for the Tigers. Miles said there will be “further punishment” for Hill but did not give specifics.

Miles also would not say whether Hill will be suspended from any of LSU’s games in the upcoming season.

“I’m going to kind of review, and make a quality call as best I can,” Miles said.

Earlier in the day, State District Judge Bonnie Jackson lectured Hill and not only added a special condition — 40 hours of community service at the Bishop Ott Center — to the two years of probation she gave him in January 2012, but also issued a stern warning.

“You are to refrain from all other criminal conduct,” the judge told Hill, who wore a dark suit and purple tie as he stood next to his attorney, Marci Blaize.

TRUST ME, telling someone in Louisiana "to refrain from all other criminal conduct" is stern, indeed. Probably cruel and unusual punishment.

Maybe Les could get another of the Tigers to lift a book from the LSU law library to check on that.

The keys to the kingdom

 

Salvation can look like a Gideons' Bible.

It can look like a legal document, with a governor's signature and an embossed seal, commuting a condemned man's sentence.

Salvation can look like a beautiful woman with a pure heart, here to save you from your sorry self.

Salvation can look like a life preserver floating next to you in a choppy sea; it can look like an outstretched hand just before you slide off a precipice; it can look like the cover of your favorite record album.

Salvation, for me, looks like a brochure from the spring of 1976, one advertising this strange, unbelievably cool thing the East Baton Rouge Parish school system was calling a "magnet school." Inner-city Baton Rouge High -- venerable and grand and buffeted by the forces that had turned a small town divided by race and "the tracks" into a middle-sized city atomized into warring neighborhood enclaves -- was being remade into a school focused on academics and the performing arts, and not just anybody could get in.

THE SCHOOL'S new principal, Lee Faucette, was making the rounds of high schools and junior highs to make his best pitch to those schools' best students. And . . . sweet Jesus! Not just anybody could get in!

If you've ever been to junior high and hated it -- especially if you've been to junior high and absolutely hated school because you were somewhat good at it. . . . Well, if you have . . . and did . . . because you were . . . you know.

You know what a salvation Baton Rouge High was for kids like me -- for kids like us -- precisely because it was made for learning and not crowd control. Because there, you didn't have to be ashamed of learning. Because everyone there was there because there is where they wanted to be.

WHERE I didn't want to be come the fall of 1976 was at Belaire High, a soulless monolith that looked more like a maximum-security facility than an educational one. And to me, those magnet school brochures Mr. Faucette passed out looked like a Gideons' Bible, a commutation, a beautiful woman, a life preserver, an outstretched hand and a Bruce Springsteen album rolled into one glorious package.

I found this when my wife and I were in Baton Rouge cleaning out my elderly mom's house -- the home of my youth.  I saved it, and then she saved it, and then 37 years later, there it was stuck in a box jammed on a shelf. Sometimes, the only thing between you and a flood of blessed memories is cardboard, one-eighth-inch thick.

When we had to head back to Omaha, we filled our Toyota RAV and my mom's compact Kia with the stuff that mattered. My most excellent collection of 1960s G.I. Joes and Hot Wheels sits in the house that's no longer anyone's home, waiting for the estate sale.

The 1976 piece of card-stock salvation came home with me.

Later's news now . . . or 'Sorry, Wong number!'

There's a birth announcement  you need to know about in today's Morning Deviate. It might be the biggest Louisiana news since all the courts recessed for the day at 4 p.m.

Take a look, because that's the way it is . . . this day in August, 2098.

It’s a boy for ex-Prefect Eli Wallace Edwards and his wife, Yob.

The couple welcomed T. Wong Edwards in Baton Rouge early Thursday morning just three days after celebrating their second wedding anniversary at an offshore strip club floating above the submerged ruins of New Orleans. Yob Bebe Edwards posted the announcement on her Spacebook page early Thursday.

“Everyone except me is getting to sleep. It’s ok though ... I’d rather just lay here and stare at my little Cajun prince!!,” she posted along with a photo of herself gazing into her son’s face.

Born at 12:52 a.m., T. is Edwards’ fifth child and his wife’s third son. The former prefect of the Louisiana Autonomous Region has four grown children. His wife has two sons from a prior marriage. T. weighs 6 lbs., 3 oz., and is 19 inches long.

The baby shares his name with his late grandfather, Edwin W. Edwards, a former American congressman who served four terms as governor in the second half of the 20th century.

Father and son came close to sharing a birthday as well. Ely Edwards will turn 86 next week.

Despite a difficult pregnancy, Yob Edwards was well enough to post updates on Spacebook as she awaited the baby’s arrival Wednesday afternoon and later announce his birth.

It was full house in her labor room at the oceanfront campus of Baton Rouge General Medical Center -- Bluebonnet Hoverway. A stereo-V crew hovered in the background, capturing the moment for the couple’s reality program, “The Prefect’s Squeeze.” A broadcast date for the program — which will air on the Booze&Poontang educational stream — has been pushed back several times.

Edwards, 85, met his 18-year-old wife while he was serving his sentence on holographic-cyborg-poker racketeering charges in a Greater North American Authority penal institution.

The couple said they wanted to share as many experiences as possible in the short amount of time they likely have together.

They live in a yacht anchored over the swamped family ancestral home where the city of Gonzales once existed.

Yob Edwards said their new son is a perfect little boy.

“F*** yeah, bitches! Mah lil schwing man got it goin' lol!” she posted on Spacebook about the new scion of the autonomous region's Zipper dynasty. Meantime, the proud geriatric papa -- popularly known as the Titanium Zipper, following his father the Silver Zipper --  was spotted passing out electronic cigars and holographic casino tokens on the medical center beachfront, buxom blondes on each arm.

Heaven had 12 channels and no snow

When you're rummaging through your childhood home, and your family's life, you find things.

You have absolutely no idea why they were saved, but you're amazed and happy that they were.

Cable television came to Baton Rouge, but not all of Baton Rouge, in 1975. Aunt Sybil and Uncle Jimmy lived in north Baton Rouge -- this was '75, so that would have been pre-apocalyptic north Baton Rouge -- and working-class north Baton Rouge had Cablevision, while my working-class east-central Baton Rouge environs . . . didn't.

Obviously, north Baton Rouge was something just shy of the Beatific Vision some 38 years ago, because you could get 12 channels on your TV there with no static at all. Bless them . . . no static at all.

Cablevision was amazing. So amazing that I begged this Dec. 20-26, 1975, edition of Cablecast off my aunt and uncle. And I saved it. And almost four decades later, it turned up in a forgotten box on a dirty shelf in a blazing-hot utility building in the back yard.

NOW, almost four decades later, I'm sitting here thinking, "We were ape over 12 lousy channels, and none of them were Turner Classic Movies or ESPN?" Of course, in 1975, there wouldn't be an ESPN for another four years, but that's not important now.

Then again, if you lived in Baton Rouge in 1970, you had your Channel 2 and you had your Channel 9. One was NBC, the other CBS and they divided up what anybody wanted from ABC.

We got Channel 33 -- and ABC full time -- in October 1971.

And we finally got public television in 1975, about the time we got cable TV. Yeah, getting 12 channels was a big frickin' deal.

SUCH A big deal, I'm sure the very prospect made News Scene on Channel 9.

Spin the people the way they want

Part of what poliicians do -- in their spare time when they're not lining their pockets or conducting ideological thermonuclear warfare in America's fallowed halls -- is tell people what they'd prefer to believe.

This, of course, exists in stark contrast to what actually is. Or was. Or will be.

Enter President Obama, speaking to a group of aging Korean War veterans on this, the 60th anniversary of the armistice that silenced the guns but never formally ended the war:

When the war ended with a cease-fire rather than a surrender, Mr. Obama noted, some offered the cynical quip "die for a tie" to describe the result of the war that had claimed the lives of more than 36,000 Americans and over a million South Koreans.

But "that war was no tie," the president said as he stood before thousands of veterans and their families on the National Mall, within sight of the Korean War Memorial. "Korea was a victory."

As a result of the heroism of those who fought, he said, tens of millions of South Koreans are able to thrive in a free and prosperous country instead of living under the thumb of tyranny in North Korea.

"Let it be said that Korea was the first battle where freedom held its ground and free peoples refused to yield," he said. To the veterans and their families, he added, "You have the thanks of a grateful nation and your shining deeds will live now and forever."

THIS, of course is revisionist history. It is ascribing a ex post facto point to what many, if not most, Americans saw as pointless six decades ago.

And no one -- no one, save the communist Chinese  -- was declaring victory in the Korean conflict. As one network radio commentator said on this day in 1953, how do you declare victory when no one's keeping score, when you have no clear objectives?

Gosh, this sounds familiar.

The commentator went on to liken the Korean War to a football game where the field has no goalposts and the entire objective is to keep the other team from crossing the 50-yard line. In other words, contra Barack Obama's revisionism, "Die for a tie."

It is what you settle for when "making the world safe for democracy" doesn't exactly work out.

HERE, THEN, is what we were really saying about Korea when the all the firing was freshly ceased. It comes from an old, old reel-to-reel tape made by an Omaha doctor who thought the moment momentous enough to electronically scrapbook for future generations . . . and then salvaged by this future generation at an estate sale a decade ago.

3 Chords & the Truth: Your musical refuge

Sometimes, life's a bitch.

Can't be helped; it just is. And sometimes you just feel like . . . you feel like . . . you feel like. . . .

Well . . .

Well, you feel like you might as well go out of town and dig a ditch. And that's when you need to escape into the music.

3 Chords & the Truth is here to aid in your getaway. I mean, sure is somethin' slick goin' on, sure is somethin' slick. I hate it when that happens.

And the Big Show is here to help. Because we understand. 'Nuff said.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

The things you save

Mama never threw out anything. At least not much more than garbage and old coffee grounds.

Now she's going to be 90, she fell and broke her hip and she can't live in the house in Red Oaks anymore. Mama's seen better days and, frankly, so has Red Oaks, which has the misfortune to lie north of Florida Boulevard and east of Eden in my hometown of Baton Rouge.

Week before last, my wife and I made a frenzied trip back South to see Mama in the hospital and take care of a few years' worth of loose ends. All in six days.

Part of the process that will hit almost every middle-aged child of someone in God's good time is disposing of a life -- a life that's over, or a life that's merely transitioning to a phase where your home is no longer your own, and neither are your choices. What you rarely realize until it's slapping you in the face . . . over and over and over again, that is when it's not punching you in the gut . . . is that you're disposing of your own life, too.

YOU, in the course of a week, frantically rummage through your childhood home, through all the stuff that Mama never threw out and, ultimately, through your memories both blessed and cursed. You rummage through your childhood, grabbing the precious things to take home as one grabs what's most precious as they flee a burning house, and you say goodbye.

Goodbye to all your old stuff -- yet again. Goodbye to the home of your childhood. Goodbye to your childhood. I'm home again, but Thomas Wolfe was right, or at least mostly right.

“You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of 'the artist' and the all-sufficiency of 'art' and 'beauty' and 'love,' back home to the ivory tower, back home to places in the country, to the cottage in Bermude, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time--back home to the escapes of Time and Memory.”

IT'S JUST as well, I reckon. But just the same, I'll hang on to these relics, second class, of one of my earliest Christmases, 'round about 1962. I'll hang onto Fred and Dino and the Flintstone Flivver. (Ninety-eight cents, cheap!)

It was a yabba dabba doo time. A dabba doo time. It was a gay old time.

The pause that refreshes . . . then and now

Florida at Riverside Mall, Baton Rouge, La., May 1987.

Florida at Third, Baton Rouge, La., last week.

Home uh da happiess stomachs on ert

Fleur de Lis, Government Street, Baton Rouge.

Retail bldg. Skylights, indoor garden. Make offer.

Once upon a time, one of the nicest retail spots in my part of Baton Rouge was I.H. Rubenstein, one of a local chain of department stores and one of the anchors of the Broadmoor Shopping Center.

It sat right between the Broadmoor Theatre and the National Food Store. Way back there then -- when dinosaurs roamed the swamps, gas was 45 cents a gallon, you could buy all the 45s you could eat at TG&Y, Buckskin Bill ruled the local TV scene, and I had hair -- the Broadmoor Shopping Center was a happening place.

Then again, that was before my hometown pretty much abandoned my old neighborhood. That was before "my" part of town (and lots of others) turned into a reasonable facsimile of Port au Prince and the hair jockeys at the Broadmoor Barber Shop all started packing heat.

Not an exaggeration -- I was there just last week on a not-so-pleasant trip back home to see my 90-year-old mother in the hospital and clean out her home of 57 years . . . the home of my childhood.

SHE WON'T be living there anymore. I probably won't set foot in it again. It's a hard thing.

Like I said, I.H. Rubenstein was a nice place, and the flea market that took over the space after the department store closed wasn't unfortunate, at least as flea markets go. Then again, both were pre-Port au Prince.

What you see here is post-Port au Prince. And somebody expects to sell or rent this mess.

Somehow, I don't see that happening, though I think it would be a fine spot to relocate the city-parish government. Very appropos, don't you know?

I've written a lot about my hometown on this blog, and I've covered the creeping blight of Baton Rouge on more than one occasion; I don't need to belabor the point here. And when she lived in Red Stick for a while, New Jersey-native Colleen Kane made a vocation of chronicling the abandoned places of my old home via her Abandoned Baton Rouge blog.

She even did a post on the Broadmoor Shopping Center almost five years ago. Yes, decrepitude has been an issue there for some time now.

PLUS ÇA CHANGE . . . etcetera and so on in "America's Next Great City."

Third Street, Baton Rouge

 

Riverside Mall (Third Street),

Baton Rouge, La., circa 1981.

  

Third Street, Baton Rouge, La., circa Tuesday.

3 Chords & the Truth: Happy POP! July BOOM! 4th

This week on the Big Show, we celebrate Independence Day with a stellar lineup of all-American music.


Except when it's British or Irish or something.

Because that's how we roll on 3 Chords & the Truth. Now, the idea behind the (BOOM!) is in maximizing the (POP!), which of course leads one to (BLAM!) and, thus a stellar listening (WHOOSH! KABOOM! POPPOPPOPPOP! POP!).

AND THAT is why you're certain to enjoy this edition of the Big Show. It's a lead-pipe cinch.

I mean, just wait until you hear the (WHOMP! CRACK! BOOM!)! You won't believe your ears, and you'll be hooked on 3 Chords & the Truth more than ever.

"Music for the people" ain't just a meaningless slogan, after all. It's a (POW!) of (BRAPPP!).

IT'S 3 Chords & the Truth, y'all. Be there. (BOOM!)

Then again, maybe not

Yes, seeing is believing. Or is it?

We live in an age when making people believe what you want them to believe is easier than ever. You can even provide them with "proof" that what plainly isn't, in fact, is. Ergo, half the crap you see on Facebook -- or InfoWars.com.

Remember that when our betters in Washington decide, at their leisure, that now is the time to blow the bejeezus (bemohammed?) out of the mullahs in Iran or the Assad dictatorship in Syria in the name of Truth, Justice, the American Way and the War on Terror.

Remember Iraq. And remember that your friendly, neighborhood federal government has a lot more money and resources than a college-age filmmaker in Rochester, N.Y.

Seeing is believing

I never would have believed anyone could bring M.C. Escher's "Penrose Steps" from optical-illusion fancy into reality. But seeing is believing . . . and it's at the Rochester Institute of Technology!

I mean, wow!