3 Chords & the Truth: It's about the journey

I usually like to surprise people with what I play on 3 Chords & the Truth.

SOMETIMES, THOUGH, I just like to throw up the week's playlist to demonstrate that the Big Show ain't exactly what folks are used to nowadays -- at least not when it comes to radio . . . or even to most webcasts or podcasts.

3 Chords & the Truth is not about a format, and it's not about a subculture or a niche. What it's about is the music. Good music. And good music can come from a lot of places, just as righteous mixes can cover a hell of a lot of musical ground in one set.

When it comes to this show -- like they say, whomever "they" might be -- we're all about the wonder of the journey. The actual destination is lagniappe.

So, that being said, here's this week's playlist:

Must Get Out
Maroon 5 (Songs About Jane)
2003

Your Heart Is Breaking Down
Choo Choo (Choo Choo)
2008

Should I Cry (alternate take)
Jackie De Shannon (The Definitive Collection)
1964

Six Days on The Road
Dave Dudley (Country USA - 1963)
1963

Straight Eight
Spencer Bohren (Born in a Biscayne)
1984

Boris the Spider
The Who (My Generation -- The Very Best of the Who)
1966

Real Love
Cretones (Thin Red Line)
1980

Lost in the Supermarket
The Clash (London Calling)
1979

You're Lost Little Girl
The Doors (Strange Days)
1967

Innocence Lost
Steve Taylor (I Predict 1990)
1987

Lost My Mind
Matthew Sweet (100% Fun)
1995

Departure / Ride My See-Saw
The Moody Blues (In Search of the Lost Chord)
1968

Handshake Drugs
Wilco (A Ghost Is Born)
2004

Brightly Wound
Eisley (Room Noises)
2005

Sole Salvation
English Beat (Special Beat Service)
1982

I Do
J. Geils Band (Monkey Island)
1977

Easy Does It
Count Basie & His Orchestra (The Essential Count Basie, Vol. 2)
1940

Do You Love Me
The Contours (The Classic Rhythm & Blues Collection: 1958-1963)
1962

Baby Workout
Jackie Wilson (The Classic Rhythm & Blues Collection: 1958-1963)
1963

I Saw Her Standing There
Beatles (Meet The Beatles!)
1964

You've Got To Hide Your Love Away
The Silkie (British Invasion Gold)
1965

Everything Gonna Be Everything
Don Covay (See-Saw)
1966

She May Call You Up Tonight
The Left Banke (There's Gonna Be A Storm - The Complete Recordings 1966-1969)
1967

Frankenstein
New York Dolls (New York Dolls)
1973

IT'S 3 Chords & the Truth. Be there. Aloha.

3 Chords & the Truth: Down a country road

This week on 3 Chords & the Truth, we're going to be thumbing our way down that folk highway, and then take a side trip down a country road.

Either way you go, you'll find some of the greatest music America -- and the world -- ever has produced.

FOR ME, country music wasn't an instant-gratification kind of thing. Growing up in the Deep South in the 1960s and '70s, it was, to a large extent, the background music of my young life, but it wasn't my background music of choice. That would have been The Who, the Beatles, Lynyrd Skynyrd, Billy Preston, the Meters, Irma Thomas and Al Green.

And even the Carpenters . . . and (ahem) the Partridge Family.

Country music was the background music of my life in the sense that I couldn't avoid it. It was the music the Old Man listened to on the radio -- and you moved the AM dial away from WYNK, WSLG or WLBI at substantial risk to life and limb.

Same deal with the Porter Wagoner Show on television every Saturday afternoon.

I yearned for "that g**damn hippie music," as the Old Man referred to my generation's soundtrack. But I also ended up knowing the likes of Jim Reeves, Patsy Cline, Loretta Lynn, George Jones and "pretty Miss Norma Jean." One of my favorites -- albeit something of an ambivalent favorite -- was "Country" Charley Pride.

And if you don't know that it's C-H-A-R-L-E-Y instead of C-H-A-R-L-I-E, you're a damn pretender, son.

BACK THEN, however, there were two sides to life: yours . . . and your parents'. The existential question of one's young existence -- Which side are you on? -- required exactly no thought.

Whatsoever.

It's a funny thing. Though the question was simple, all kinds of stuff got mixed up in it that really had no business there. The Beatles vs. Porter Wagoner is not a fundamental question of good and evil.

"It's a big world out there," we young'uns constantly told ourselves. Our actions and our prejudices, however, betrayed our lack of believe in our own party line.

In fact, while "Which side are you on?" was -- and is -- the central question in any of our lives, we stupidly applied it to all the wrong areas. And not at all to the Right Area.

Then again, neither did our parents, by and large.

It is possible, and even quite healthy, to like both the Sex Pistols and Ernest Tubb. It's likewise possible to associate with, and even like, both Democrats and Republicans. Squares and hippies both have their virtues . . . and their vices.

The world is big. It's our hearts and minds that tend to be small.

Too small, as a matter of fact, to apprehend exactly how cosmically huge a question is "Which side are you on?"

THAT, IN A NUTSHELL, is what the Big Show happens to be about this week. 3 Chords & the Truth: It's the show where we ask the big questions and where, this week, we're playing all four kinds of music.

Rock . . . and roll. Not to mention country . . . and western.

Be there. Aloha.