Showing posts with label Pete Seeger. Show all posts
Showing posts with label Pete Seeger. Show all posts

Monday, February 10, 2014

Pearls among the online swine


The Internet is a land of treasures and trash. Mostly trash, it seems, most of the time.

Slutty trash. Angry trash. Snarky trash. More angry trash. More snarky, angry trash.

Seems to me that living life online as we do today can be like eating Gummy Bears for breakfast, lunch and supper -- it might be rather satisfying at the time, but. . . .


WELL, this ain't that. Pete Seeger's mid-'60s, low-budget show, taped in glorious black and white at a little UHF station in New York, is a treasure lurking amid the trash. It's meat and potatoes in a Gummy Bear online world.

How can it possibly get any better than sitting around the kitchen table with Johnny Cash and June Carter, swapping stories and playing music? How can it possibly get any better than sitting in the living room with Revon Reed, keeper of Louisiana's Cajun culture and the French language when the odds were stacked against it amid a tide of assimilation at les mains des americains just as Seeger was a keeper of American culture amid a rising tide of materialism and superficiality.

And not only that. Irony also comes a' callin' in the meeting of Messrs. Reed and Seeger.

YOU SEE, one of the saviors of Cajun culture in south Louisiana was, by profession, an English and chemistry teacher. Cajun music and his weekly radio show from Fred's Lounge in Mamou, those were his hobbies. The keeper of what was most authentically American, meanwhile, was blacklisted for years for allegedly being "un-American."

Uh huh.


Eventually,  the forces of "Americanism" left Pete Seeger alone after growing bored by red-baiting. Eventually, they moved on to more fertile fields . . . like doing their part to f*** up the Internet.

Saturday, February 08, 2014

3 Chords & the Truth: The canon of Pete


This edition of the Big Show starts with a big set -- which is just a small portion of the Canon of Pete.

And the canon of the late Pete Seeger is a big part of the lexicon of American popular music . . . and American folk music . . . and American protest music.

Or, to be succinct, American music.

Period.


I knew that first long set would be good. What I wasn't prepared for was how good it is in the actual listening. I mean, you know, but then you hear what you've pieced together and . . . you know.

NOW, there's lots of other good stuff on 3 Chords & the Truth this go around, but I think I'll just let you listen to find out what that might be.

I prefer not to think of the Big Show as just a music program on the Internets. I prefer to think of it as what it really is -- and what radio ought to be, once was and rarely is anymore -- and that is an adventure.

I think Peter Seeger would have approved of that.

It's 3 Chords & the Truth, y'all. Be there. Aloha.

Tuesday, January 28, 2014

Where have all the troubadours gone?


This is not a promising start to the week.

This is a terrible start to the week.

Pete Seeger is dead. God rest him, and God help us, for we are diminished.


From The New York Times today:
Mr. Seeger’s career carried him from singing at labor rallies to the Top 10 to college auditoriums to folk festivals, and from a conviction for contempt of Congress (after defying the House Un-American Activities Committee in the 1950s) to performing on the steps of the Lincoln Memorial at an inaugural concert for Barack Obama.

For Mr. Seeger, folk music and a sense of community were inseparable, and where he saw a community, he saw the possibility of political action.

In his hearty tenor, Mr. Seeger, a beanpole of a man who most often played 12-string guitar or five-string banjo, sang topical songs and children’s songs, humorous tunes and earnest anthems, always encouraging listeners to join in. His agenda paralleled the concerns of the American left: He sang for the labor movement in the 1940s and 1950s, for civil rights marches and anti-Vietnam War rallies in the 1960s, and for environmental and antiwar causes in the 1970s and beyond. “We Shall Overcome,” which Mr. Seeger adapted from old spirituals, became a civil rights anthem.
Mr. Seeger was a prime mover in the folk revival that transformed popular music in the 1950s. As a member of the Weavers, he sang hits including Lead Belly’s “Goodnight, Irene” — which reached No. 1 — and “If I Had a Hammer,” which he wrote with the group’s Lee Hays. Another of Mr. Seeger’s songs, "Where Have All the Flowers Gone," became an antiwar standard. And in 1965, the Byrds had a No. 1 hit with a folk-rock version of “Turn! Turn! Turn!,” Mr. Seeger’s setting of a passage from the Book of Ecclesiastes.

Mr. Seeger was a mentor to younger folk and topical singers in the ‘50s and ‘60s, among them Bob Dylan, Don McLean and Bernice Johnson Reagon, who founded Sweet Honey in the Rock. Decades later, Bruce Springsteen drew the songs on his 2006 album, “We Shall Overcome: The Seeger Sessions,” from Mr. Seeger’s repertoire of traditional music about a turbulent American experience, and in 2009 he performed Woody Guthrie’s “This Land Is Your Land” with Mr. Seeger at the Obama inaugural. At a Madison Square Garden concert celebrating Mr. Seeger’s 90th birthday, Mr. Springsteen introduced him as “a living archive of America’s music and conscience, a testament of the power of song and culture to nudge history along.”

Although he recorded more than 100 albums, Mr. Seeger distrusted commercialism and was never comfortable with the idea of stardom. He invariably tried to use his celebrity to bring attention and contributions to the causes that moved him, or to the traditional songs he wanted to preserve.

Tuesday, May 27, 2008

Praise Jesus for old ex-Marxist lefties

OK, and this, too. This is cool, as is Pete Seeger in general.

You know what I say?

I SAY thank God for old activist ex-Marxist folkies . . . legendary lefties who have done more to conserve what is good, noble and beautiful in our culture than all King George's "conservatives" and all King George's "values voters."

That's what I say.

Stumbling upon just before bedtime


It's fun to stumble upon really cool things when you're looking for something else. Like this old 1940s film starring Pete Seeger, with appearances by Woody Guthrie, along with bluesmen Sonny Terry and Brownee McGhee.

And written by Alan Lomax.

The problem with music today is we tend to remove it from cultural and historical context. The problem with that is we lose more and more sight of not only where we've been, but also of who we are.

Watch this, and start to get grounded a little.