See what happens when you come back from a restorative break from the weekly grind?
The Big Show hits new heights, that's what. So now your Mighty Favog has to figure out how to program a program from the pinnacle of podcasting prodigiousness.
Trouble is, it's cold up here. Much nippier than the relatively balmy autumnal mean down below in Omaha, by God, Nebraska.
Fortunately, I've got some wonderful music to keep me warm this week on 3 Chords & the Truth. I trust it also will keep you well entertained for, as usual, we cover just about all the bases on this eclectic artistic enterprise.
FOR INSTANCE, you're going to hear from the composer who started as an arranger for Paul Whiteman . . . and was inspired to finish his own masterpiece by shaping another for orchestral performance. And we'll hear a little something from Paul Whiteman and his concert orchestra, too, via the 78 RPM Wayback Machine.
And, for an encore, we'll show you a bit of commonality between classical and country . . . music, that is. You won't hear that on your local FM station, that's for certain.
We can do this because here at 3 Chords & the Truth, all things are fresh and new . . . and we don't have no stinkin' rules. Come to think of it, we have damn few preconceptions, as well. But if you regularly listen to the program, you already know that, don't you?
I DON'T KNOW why I'm going on about this, being that it's common knowledge. I suppose it's the need to fill space with words so this entry doesn't look funny. Headline, picture, podcast player would just look . . . incomplete.
So consider this post for the newest edition of the program complete.
It's 3 Chords & the Truth, y'all. Be there. Aloha.